
Drinks In Soda Cups (other Versions)
This is for Learning. Shows how strongly Personas can change the songs sound.
·
31 songs
3:39

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:15

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:36

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:07

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:21

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:06

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:41

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:23

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:41

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:41

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:57

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:49

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:32

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:54

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:58

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:04

[Key:D Hijaz] voice switching Male and female often push - pull panning
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:44

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:11

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:32

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:52

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:04

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:15

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:24

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:43

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:49

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
2:57

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:39

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:55

[Key:D Hijaz]
[voice switching between Male and female often]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:46

[Key:D Hijaz]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:33

[Key:D Hijaz]
[Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space]
[Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre]
[Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element]
[FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck]
[Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:45

Drinks In Soda Cups
Studio
raggacore, ragga, electronic beatbox / mouth-percussion groove
