Playlist cover art

Drinks In Soda Cups (other Versions)

This is for Learning. Shows how strongly Personas can change the songs sound.
3:39Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:15Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:36Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:07Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:21Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:06Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:41Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:23Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:41Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:41Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:57Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:49Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:32Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:54Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:58Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:04Song Image
[Key:D Hijaz] voice switching Male and female often push - pull panning [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:44Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:11Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:32Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:52Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:04Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:15Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:24Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:43Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:49Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
2:57Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:39Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:55Song Image
[Key:D Hijaz] [voice switching between Male and female often] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:46Song Image
[Key:D Hijaz] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
3:33Song Image
[Key:D Hijaz] [Technique:Sparse Musicality Beatbox|Breath-Pulsed Baritone Rhythm|Ragga Pocket|Short Vocal Bass Hits|Mouth Percussion Space] [Instrument:Jaw Harp|Morsing Twang Pulse|Elastic Metallic Resonance|Short Plucked Notes|Mouth Resonance Modulation|Pocket Around Beatbox|Open Space Around Vocal|D Hijaz Tonal Centre] [Vocal:Ragga-Muffin Vocal Auto-Tune|Slow Glitch Sample|Short Phrase Repetition|Vocal Slow Glitch Used As Rhythmic Element] [FX:Bed Squeak Sample|Record Scratch|Short Digital Water Bloop|Rounded Foley Pluck] [Mastering:High-Clarity Master|-7 LUFS|Short-Term -5 LUFS Max|True Peak -1, 0dBTP|Clip-Safe Limiting|Limiter GR 3–5dB Max|HPF 35Hz|Low-Mid Cut 180–350Hz|Word-To-Sound Separation|Vocal Slow Glitch Separation|Jaw Harp-To-Beatbox Separation|FX-To-Jaw Harp Space|Transient Clarity 2–5kHz|Presence Clarity 3–6kHz|Consonant Edge 4–8kHz|Jaw Harp Clarity 1–4kHz|Vocal Bass Control 80–160Hz|Sub Mono Below 120Hz|No Mud], ‑distortion, ‑cymbals, ‑noise filters, ‑fuzz, ‑grit, ‑background chatter, ‑cinematic, ‑ambient, ‑repetitive, ‑reverb
4:45Song Image
raggacore, ragga, electronic beatbox / mouth-percussion groove