Playlist cover art

新詩劇場版 2026

新詩劇場版

·

34 songs

4:04

你真愛我麼 (Lovest Thou Me ?)

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:57

《你是我的力量》

v5.5

a male solo opera piece in the Germanic tradition, Cello solo, Solo instrumental, Mournful, Somber, Religious, Meditative, Deep resonance, Emotional, Spiritual, Contemporary Classical, Neo-Classical, Church reverb, Slow tempo, Dramatic swells, Key: C major, Tempo: 90 bpm 4/4

5:27

《佳美的腳蹤》

v5.5

Opera Aria, Pavarotti style, tenor male vocal, dramatic, orchestral arrangement with strings, brass, timpani, 80 BPM

3:37

我怎會不愛祢 (Peter's Tears)

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

6:22

《不哭不哭》(Don't Cry, Don't Cry)

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

4:14

《胭脂蟲》

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

4:28

一位美妙的牧人

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

3:21

《我所愛的阿》

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

4:54

你當豫備迎見你的神（摩四12）

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

4:33

《對付罪》 (Dealing with Sin)

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:04

《願你在我身上有路》

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

4:52

卷二第一章　肉體和救恩

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

3:59

【轉移時代的異象：生命線上的得勝者】

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:39

我找到了祢

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:42

《親眼看見祢》

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

6:44

「交往的叮嚀」

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:35

我找到了祢

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

3:12

〈人生過半〉

v5.5

a clear strong emotional Male, flamenco guitar, piano, romantic

3:27

〈人生過半〉

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

3:13

《凡有氣息的 (Let Everything Praise!)》

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

3:08

我們也得平安

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

3:18

我們也得平安

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:23

弓之歌 (Lament for the Fallen)

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

4:58

弓之歌 (Lament for the Fallen)

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

6:48

祂手的扶持 (In His Hands)

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:27

水深之處的富足 (Depth of Life)

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:14

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:28

《馨香之氣》

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:08

《到主面前來》

v5.5

a male solo opera piece in the Germanic tradition, gothic in tone, rooted in the period of Die Fledermaus (Strauss Jr, 1874) or up to about a century before (so we’re looking into Weber, early Wagner, even Gluck’s later influence), The atmosphere: dark, religious, medieval, Christian knight, It should feel like something one would hear in a cathedral-like hall, rich with gothic imagery, solemn faith, and perhaps a foreboding of struggle

5:03

《馨香之氣》

v5.5

Opera Aria, Pavarotti style, tenor male vocal, dramatic, orchestral arrangement with strings, brass, timpani, 80 BPM

4:57

弓之歌 (Lament for the Fallen)

v5.5

Finnish Folk Style, Male Singing, Accompanied By Violin, Poetic And Healing, Tempo: 100 Bpm, 4/4 Time Signature, Key: C Major

3:29

我們的靈盼望...

v5.5

A Male Solo Opera Piece In The Germanic Tradition, Gothic In Tone, Rooted In The Period Of Die Fledermaus (Strauss Jr, 1874) Or Up To About A Century Before (So We’re Looking Into Weber, Early Wagner, Even Gluck’s Later Influence), The Atmosphere: Dark, Religious, Medieval, Christian Knight, It Should Feel Like Something One Would Hear In A Cathedral-Like Hall, Rich With Gothic Imagery, Solemn Faith, And Perhaps A Foreboding Of Struggle

4:44

《屬靈的竅》

v5.5

A Male Solo Opera Piece In The Germanic Tradition, Gothic In Tone, Rooted In The Period Of Die Fledermaus (Strauss Jr, 1874) Or Up To About A Century Before (So We’re Looking Into Weber, Early Wagner, Even Gluck’s Later Influence), The Atmosphere: Dark, Religious, Medieval, Christian Knight, It Should Feel Like Something One Would Hear In A Cathedral-Like Hall, Rich With Gothic Imagery, Solemn Faith, And Perhaps A Foreboding Of Struggle

4:43

哦疲倦的人

v5.5

A Male Solo Opera Piece In The Germanic Tradition, Gothic In Tone, Rooted In The Period Of Die Fledermaus (Strauss Jr, 1874) Or Up To About A Century Before (So We’re Looking Into Weber, Early Wagner, Even Gluck’s Later Influence), The Atmosphere: Dark, Religious, Medieval, Christian Knight, It Should Feel Like Something One Would Hear In A Cathedral-Like Hall, Rich With Gothic Imagery, Solemn Faith, And Perhaps A Foreboding Of Struggle