
Kiera Devros - Halfbreed (Enhanced)
Kiera Devros' first full-length album, enhanced with v5.5 - a retelling of her origin story from City of Heroes days. (Current runtime: 48m 28s over 11 tracks)
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11 songs
4:03

Female-vocal progressive metalcore with sludge metal, industrial metal, and stoner metal weight: drop-tuned guitar chugs, dissonant harmonized leads, and slow, crushing riff cycles, Mechanical kick patterns, double-kick bursts, distorted bass, sampled metal hits, and cavernous toms, Precise enunciation, ethereal head voice, sultry lows, pro-mix polish, controlled top end, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
3:06

Female-led progressive metalcore with drill and bass energy, gothpunk attitude, and industrial metal grit, Talking-sung vocal delivery with textured grit, raspy power notes, whisper-to-scream range, kept upfront and never buried, Drop-tuned chugs, syncopated djent riffs, distorted 808 subs, breakbeat drums, metallic percussion, harsh synths, tight pro mix, smooth EQ, controlled top end, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
5:06

Female-led sludge metal with gothpunk, deathgaze, and deathrock edge: drop-tuned baritone guitars, fuzzed-out bass, tom-heavy drums, and ringing chorus-drenched leads, Tactile, front-mixed vocals with ethereal head voice, melodic agility, vibrant dynamics, smooth EQ, controlled top end, pro-mix clarity; vocals never buried, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
5:02

Female-led sludge metal meets funeral doom, industrial metal, and doomgaze: down-tuned baritone guitars, bass tuned extra low with overdrive, massive tom-led drums, chain-rattle percussion, bleak drone pads, and radio-ready polish, Vocals move from spoken word to cracked belts, airy head voice, tight doubles, and wide delays, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
5:13

Female-led progressive metalcore with sludge metal weight, gothic metal atmosphere, and darkwave synth haze, Detuned guitars, crushing half-time drums, subby kick impact, and bleak minor-key pads, Intimate close-mic vocals jump from spoken word to compressed doubles, ethereal head voice, and agile melodic runs; polished, upfront, dynamic, never buried, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
3:37

Female-fronted sludge metal, nu metal, deathgaze, and gothpunk at a restrained half-volume emotional peak: thick drop-tuned guitars, grating bass, punchy live drums, sung verse/bridge vocals kept forward with tactile texture, ethereal head voice, and melodic agility; verse 2 turns screamed, Pro-grade EQ controls top end, keeping vocals clear and never buried, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
5:59

Female-led sludge metal, doomgaze, industrial metal, and darkwave with drop-tuned baritone guitars, cavernous bass, mechanical kick pulses, and slow half-time drums, Clean dynamic range control, smooth EQ, and radio-ready vocal clarity keep the ethereal head voice and breathy confession cutting through dense, distorted textures, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
3:29

Female-led progressive metalcore with sludge metal weight, deathgaze haze, and swamp rock grit, Drop-tuned guitars, syncopated djent chugs, filthy bass fuzz, and thunderous toms under contrasty dynamics, Spoken-word breaks, spectral head voice, tight double-tracked vocals, delay throws, controlled top-end, radio-ready pro mix, vocals upfront, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
4:12

Female-fronted progressive metalcore blending nu metal, gothpunk, and deathrock: down-tuned palm-muted guitars, stabbing dissonant leads, punchy live drums with double-kick bursts, gritty bass, and bleak post-punk guitar textures, Clear, dynamic lead vocal with close-mic breath control, forceful midrange presence, controlled top end, and tight dry production, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
4:09

Female-led sludge metal, gothpunk, doomgaze, and deathgaze at a half-volume emotional peak: downtuned baritone guitars grinding through slow crushing riffs, cavernous toms, ghost-note snare, and wall-of-sound drones, Strained chest voice blooms into ethereal head voice, with controlled top-end, smooth EQ, and radio-ready clarity, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts
4:32

Quietest-possible progressive metalcore with sludge metal weight, symphonic metal pads, and pop metal polish, Whispered female lead with breathy head voice, close-mic tactile texture, subtle emotional cracks, and short response echoes, Low-gain baritone guitars, bowed bass, soft toms, sparse double-kick pulses, velvet strings, smooth EQ, controlled top end, pro-mix clarity, vocals always upfront, ‑Male vocalist; robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts

