3:17

Skibidi.
v5.5
Vaporwave brostep trap at 140 BPM with half-time bounce, dreamy VHS pads, nostalgic electric piano, euphoric retro synth lead, neon mall ambience, huge festival risers, robotic bass growls, metallic dubstep stabs, laser FX, distorted sub bass, punchy kick, crisp trap hats, dry clap-snare, tape saturation, and a clean modern low-end mix, Chopped, fried goblin vocal stims with pitched-down pre-drop phrasing and glitched nonsense mouth ad-libs
3:26

Bass Crusade
v5.5
Bass competition test track, 30–45 Hz sweep, clean sine-wave 808s, trunk flex bass, SPL pressure, short chant vocals, minimal drums, tight punchy kick, low-frequency burps, slow descending sub sweeps, deep Southern baritone commands, no clutter, built to move air, let buzern vibrate
4:18

Je m'abstiens
Studio
Yorkshire bleep, French touch, kwaito, bleep and bass, bleep techno, acid house, big beat, EDM
5:33

3:09

5:33

Drum & Bass × Future Bass Festival Anthem, 174 BPM, Female lead vocal, Massive reese basses, deep sub bass, huge future bass supersaw stacks, explosive bass drops, rolling DnB drums, uplifting melodic builds, powerful low-end, wide stereo field, emotional summer atmosphere, festival-scale energy, polished modern EDM production, Length: 3:30–4:00
3:31

Play the Barcoder
Custom
classic hardstyle, 2008 style, 4/4, 150bpm, system, breakbeat transition, triplet feel, hardstyle claps, hardstyle snares, hardstyle cymbals, 5 stroke percussion rolls, cinematic lift, defqon 1, A minor, glitch percussion fills, subtle arpeggios, layered atmospheric pads, soaring lead synth, tape saturation, plate reverb, wide stereo imaging, airy contrast, cinematic break, energetic lift, dark minor key, 4 minutes in length
4:49

Easy Tiger 🐯
Studio
kwaito, afrohouse, French touch, jungle, breakbeat, big beat, afrobeat, EDM
4:19

hypnotic R&B-pop, smooth female rap, lush harmonies, slow-burning energy, atmospheric synth, clean production, radio ready, clean version, ‑Live arena performance, ‑stage presence, ‑audience captivated and singing softly along, ‑elegant live vocal runs, ‑immersive live recording, ‑modern girl-group concert experience
4:51

Turbo Lover 5000
v4.5+
[Style: Metalcore x Eurodance hybrid with tongue-in-cheek pop hooks, brutal breakdowns, and synth-heavy party drops, ]
[Mood: Euphoric, satirical, energetic, and humorously over-the-top while still heavy, ]
[Key: Minor keys (often Dm/Em) with modal shifts for dramatic EDM drops, ]
[Tempo: 120–160 BPM (switching between dance grooves and metalcore chugs), ]
[Signature: 4/4 with syncopated breakdowns and straight EDM kicks, ]
[Production Tags: Punchy synth leads, trance arps, rave stabs, 808 drops, layered guitars, exaggerated risers, ]
[Mixing Style: Crisp and polished; guitars thick but tucked to let EDM elements shine; vocals layered, ]
[Post Production: Sidechain compression, aggressive automation on drops, heavy reverb/delay for pop moments, ]
[Vocal Sound and Cadence: Alternating screamed growls, clean anthemic choruses, playful spoken bits, exaggerated comedic delivery, ]
[Mastering: Loud, glossy, commercial-grade with EDM clarity and metalcore punch, ]
4:59

darkwave, industrial EDM, cinematic gothic orchestral, sound effect, mechanical percussion, foley, dark ambient, industrial, cinematic soundscape, synthwave, cinematic, electronic, industrial noise
3:04

Psytronics
v5.5
psychedelic, electronic, 114 BPM, subby bassline, swung offbeat hats, stereo delay throws, tape saturation, spring reverb, sidechain pumping, filter-swept pads, rolling percussion, hypnotic groove, playful menace, late-night lift, hypnotic moving thick ambience
4:00

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Heavy hardstyle festival bass mechanics, 150 BPM locked driving relentless, distorted reverse bass kick screech signature hardstyle, sub-bass modulation sweep dipping low then surging high physical seismic, bass flux stutter hits accenting the build, mechanical precision, industrial kick drum hardstyle distorted punchy, screech lead synth aggressive piercing, euphoric hardstyle melody major key uplifting, pitched bass riser building tension before drop, festival crowd energy massive room, white noise riser into drop impact, reverse bass into forward kick classic hardstyle mechanic, dynamic contrast huge, drop hits like a wall, clean low end punch, no mud, hi-fi festival mastering loud and pristine, ///***///
4:34

[Hard Bass][Super Bass][Future Bass][Ultra Bass][Wubcore Dub Bass][Wobble Reese Hyper Bass][Maximum Drops][Ultimate Bass][Supersonic Tectonic Earth Shattering Wobble Bass Dub-Wubs][Bass got Bass infused Bass on Bass][Bass Face melting Boom Bass][Huge Bass][20 String Thunder Bass][All instrumentation Side Chained into Quantum HD Panoramic Hypercube Dolby Atmos 32, 1D multispectral interdimensional Theoretical Futuristic Master Mixer Infinite Sound Quality Enhancer], ‑vocals, ‑vocals, ‑vocals, ‑lyrics, ‑kid voice
4:05

Jungle Bass
Studio
drum and bass, jungle, field recording, nature soundscape, ambient environmental
4:32

Complextro with heavy dubstep influences, Features aggressive, growling FM bass patches, high-pitched staccato synth leads, and a prominent sidechained sub-bass, The drum pattern is a standard four-on-the-floor kick with a sharp, compressed snare on beats two and four, layered with rapid hi-hat rolls, Frequent use of glitch effects, pitch-shifted vocal chops, and sudden silence for rhythmic emphasis, The arrangement utilizes rapid-fire switching between different synth timbres every few beats, Tempo is 128 BPM in the key of F minor
4:04

0N3_50NG.bin
v5.5
Style Prompt:
[Australian Pub-Rave], [Wiggles-core], [Super R-Type SNES OST], [16-bit Electric Piano], [FM Synthesis], [Icy Glassy Textures], [180 BPM], [Liquid Drum & Bass], [Aggressive Sidechaining], [Bit-crushed 8-bit Samples], [Sudden Tempo Halts], [Chaotic Neon-Industrial], Vocal Prompt:
[Youthful Aussie Female Voice], [High-pitched and Nasal], [Broad Australian Accent], [Rapid-fire Staccato], [Cheeky and Sarcastic], [High-pitched Hyena Yips and Giggles], [Sudden Emotional Breaks], [Breathtaking Cadence]
3:38

classic hardstyle, 2008 style, 4/4, 150bpm, system, cinematic lift, triplet feel, hardstyle claps, hardstyle snares, hardstyle cymbals, 5 stroke percussion rolls, plate reverb, layered atmospheric pads, tape saturation, wide stereo imaging, defqon 1, lively brass section, muted trumpet, clarinet lead, upright bass, ragtime piano, playful male vocals with swagger, fast paced Broadway rap, theatrical vocals, ‑mumble shouting whining polka
3:59

LFG!!
v5
Create a dark, heavy, hypnotic fusion track blending basscore, aggressive dubstep and brostep, EBM, deep resonant didgeridoo drones, funk basslines, and bounce rhythms, featuring raw gritty spoken word vocals, The spoken word must have commanding, rhythmic, semi-chanted delivery with provocative attitude and natural modern flow — no melodic singing or clean vocals at all, Layer ancient didgeridoo drones over heavy distorted wobbles, massive earth-shaking subs, syncopated funky grooves, rolling bounce 808 patterns, and pounding EBM kicks, Dark ritualistic atmosphere with tension-building sections, explosive bass drops, and groovy breakdowns where the spoken word takes focus and commands attention, Emphasize provocative low-end dominance, polyrhythmic interplay between the organic drone and electronic bass elements, and high-quality cinematic production, Overall vibe is hypnotic, menacing, aggressive yet danceable and commanding with a modern edge
4:41

Drop The Bomb
v5.5
hardcore, heavy synth, vocoder, aggressive syncopated groove, vinyl scratches, digital glitches, rewinds, intense and aggressive vocal delivery, hostile, chopped vocal samples, synth accents, vibraslap, earworm chorus, corrupted audio effects, edm, ear candy, driving baseline, drum machine, fast, hardcore edm, hardstyle, big room, festival anthem, melodic, beautiful, aggressive bass, explosive drop, heavy kick drums, distorted synths, rave energy, crowd chant vocals, high intensity, mosh pit anthem, speaker shaking bass, adrenaline fueled, mainstage banger, hard dance, chaotic energy, massive build-up, detonation theme, 160 bpm, heavy bass, 808, epic, cinematic vibes, boss battle feeling, heavy, dubstep drops, heavy electric guitar, vocoloid, evil robot dj, cosmic danger, melodic hardcore
5:54

Dubstep with Trance synth strings 2000s era, zimmer-core, sub-bass, cinematic risers, vocal chops, glitch FX, ambient collapse
3:15

4:19

A Strange Feeling
Studio
progressive house, minimal groovy industrial, dark industrial
3:15

UK happy hardcore and UK garage fusion at 170 BPM: hoover leads, supersaw stabs, pitched-up rave vocals, and bright piano riffs over UKG swing drums, shuffled shakers, chopped garage fills, and a rolling sub-bass, Rapped verses ride sparse two-step beats, with risers, lull breaks, and euphoric drop energy
4:44

90s big beat techno meets drum and bass, high-octane flying soundtrack, fast driving breakbeats 150bpm, ethereal, massive rolling basslines, squelchy acid synth lines, razor-sharp hi-hats, dark atmospheric pads, adrenaline rush, Spaceship flying, intense energy, no vocals, instrumental electronic banger, Never slows, F Lydian
3:12

cyber-orchestral
128 bpm
cyan-logic
gold-resonance
red-friction
architectural-geometry
radial-symmetry
sub-bass gravity
distorted-warmth
precision-forward
system-pressure
crystalline-textures
monolithic-depth
unresolved-tension, ‑vocals, ‑singing, ‑voice, ‑pop chorus, ‑cinematic strings, ‑generic build-up, ‑bright cheer, ‑lowlight, ‑acoustic piano, ‑generic drums
3:17

High-energy J-Pop and Electronic Rock fusion, Distorted electric guitars play syncopated power chords and rapid alternate-picked lead lines, A prominent synthesizer layer features bright, sawtooth-wave leads and rhythmic gated pads, The drum kit follows a driving 175 BPM tempo with a heavy emphasis on double-time snare patterns and consistent 16th-note hi-hat work, A melodic electric bass follows the kick drum closely with aggressive mid-range presence, The arrangement features frequent stutter effects, sudden stops, and rapid transitions between dense instrumental layers and vocal-led sections, Female vocals are processed with light pitch correction and layered harmonies during the chorus, The track is in the key of G# Minor
4:17

Earthquake
Custom
classic hardstyle, 2008 style, 4/4, 150bpm, deep authoritative distorted male vocals, system, triplet feel, Ominous, Grave, Staccato Brass Accents, Evil, hardstyle claps, hardstyle snares, hardstyle cymbals, taiko rolls, 5 stroke percussion rolls, supersaw synth lead, plate reverb, layered atmospheric pads, tape saturation, wide stereo imaging, dark contrast, cinematic lift, defqon 1, Heavy Low Brass, Bass Trombones, Tuba, Horns in F, F Minor Key
3:42

Wubba Dubbin
v5.5
[Spoken Word Vocal Prompt: Black Bunnie delivers a dark, confident female spoken-word performance with raw rasp, South Memphis grit, clean enunciation, controlled breath, and seductive aggression, Voice stays rhythmic, intense, and hypnotic, riding the groove like a weapon without singing or screaming, ]
[Instrumental: 140 BPM dark minor-key super dub wub instrumental, Over-the-top heavy dubstep banger with filthy growling wobble bass, aggressive modulated Reese layers, earth-shaking 808 sub, hard kicks, driving percussion, warped detuned singing saw leads with pitch bends, vibrato, granular warble, reverse delays, glitch chops, stutter edits, and gated bass hits, Deep didgeridoo drones and rhythmic pulses blend into the low end for primal tribal pressure, Build with risers, filter sweeps, noise whooshes, cinematic impacts, psychedelic glitches, wide stereo, heavy sidechain pumping, saturated distortion, maximum groove and drop impact, ]
4:34

4:51

Remember WIP
v5.5
Minimal Techno × Deep Techno × R&B Rap Fusion, 128 BPM, dark hypnotic rolling groove, driving four-on-the-floor kick, deep sub bass, punchy analog bassline, shuffled percussion, 909 drums, minimal synth stabs, tension-building automation, two massive peak-time drops, male duet, deep baritone lead vocal, sensual whispered male counter-vocal, spoken-word rap delivery, confident swagger, hypnotic repetition, vocal call-and-response, underground warehouse energy, clean modern club mix, dry close-mic vocals, sparse verses, explosive drops, maximum groove, maximum intensity, extended DJ-friendly arrangement, dark luxurious atmosphere, late-night success anthem, ‑female vocals, ‑choir, ‑backing choir, ‑crowd chants, ‑festival EDM, ‑trance leads, ‑pop chorus, ‑rock guitars, ‑cinematic orchestra, ‑melodic dubstep, ‑cheesy motivational lyrics, ‑autotune abuse, ‑happy hardcore, ‑future bass, ‑tropical house
5:24

[Persona: Mari 404] [GL: fracture_reformation] [Behavior: rhythmic_oscillation -> structural_collapse -> re-sync]
[Structure: nested_hierarchy] [Forces: D5_operator_chain :: pulse -> fragmentation -> inverted_pressure]
[Style: Glitch-Techno, Deconstructed Club, 130 BPM, Syncopated Industrial Percussion]
[Mix: Clinical dry vocal center, extreme panning automation, frequency-shifting sub-bass, 8-bit artifacts]
[Vocal: Analytical, rhythmic, sudden pitch-drops, staccato delivery, switching to eerie melodic resonance]
[Constraints: zero-latency transients, sudden tempo-ramps, no harmonic warmth, non-linear progression]
3:36

needy stargirl overload
v4.5-all
Future bass with heavy J-pop and chiptune influences, 170 BPM, E major, The track features a bright, supersaw synth lead playing a syncopated melody, A high-pitched, processed female vocal sample repeats rhythmic phrases, The percussion consists of a punchy kick, a sharp snare on the backbeat, and rapid 16th-note hi-hat rolls, A bubbly, arpeggiated synth pluck runs throughout the background, The bass is a thick, sidechained sub-bass that pulses with the kick, Occasional 8-bit sound effects and video game-style chirps accent the transitions, The arrangement uses frequent stop-start dynamics and sudden filter sweeps
4:26

Acid Rain Again
v5.5
Hardstyle acid house techno at high BPM with pounding distorted kicks, screaming 303 acid lines through resonant filter sweeps, and metallic percussion, Deep 808 sub-bass tones are vocoded into soothing vocal formants, layered with gated claps, pumpy sidechain, and dense rave synth stabs for a relentless, glossy, mechanical drive
5:48

2:36

Relentless 90s Euro-rave: distorted kick rolling at high speed, crunchy hats, offbeat hoovers, and shouted gang-style male vocals, Huge swept risers into each drop; vox ride the midrange like a hype man in a warehouse, Short stabs of metallic synth and crowd noise hits accent the chants, with a brutal brickwalled master for max club impact, techno, gabba
3:22

future bass, R&B, dark electronic, cinematic, ambient, electronic, ambient R&B, atmospheric, soft contemporary R&B, dubstep, trap, dubstep-like bass music, dark R&B, minimalist, drum & bass, breakbeat
3:34

Arabian Style
v5.5
classic hardstyle, 2008 style, 4/4, 150bpm, system, Harmonic Minor, Phrygian Dominant, Arabic Scale, Exotic Woodwinds, Oboe and Cor Anglais, Dark Cello Ostinato, Shimmering Violins, Desert Vibe, Ancient, Mysterious, Grandiose, cinematic lift, triplet feel, hardstyle claps, hardstyle snares, hardstyle cymbals, taiko rolls, takht percussion, 5 stroke percussion rolls, plate reverb, layered atmospheric pads, tape saturation, wide stereo imaging, dark contrast, defqon 1





























