4:28

Acid-jazz fusion meets acid-rock groove at 110 BPM in E minor, built on slap bass and tight funk drums that start slightly off-kilter, then lock into a steady pocket, Fender single-coil guitar and staccato electric piano trade leads, wide stereo keys, light spring reverb on guitar, dry upfront male falsetto over a raw-but-polished mix
6:34

Progressive rock and space ambient with an introspective, vast slow-to-mid groove in D minor, shifting modes over odd-meter 7/4 phrasing, Soulful wide-range male vocals, falsetto peaks, and controlled screams, while delay-soaked electric guitar, analog synth pads/arpeggios, and Mellotron choirs leave spacious gaps for silence, Wide stereo, lush reverb, raw expansive mix
5:13

Before She Flies
v5.5
Acoustic soul meets 1971 British pub rock at 72 BPM in G major, built around a dripping one-sound motif folded into tape-saturated acoustics, Fingerpicked acoustic guitar, Fender Rhodes, electric piano, brushed drums, and walking bass bleed together in a small-room mix, with wide male vocals, falsetto peaks, controlled screams, warm analog degradation, and lo-fi grit
5:19

Acid rock ballad at 72 BPM in D minor with vintage upright piano, clean Fender fingerstyle guitar, and 70s rock production, Warm analog tape saturation, spacious verses, raw weathered baritone vocal, roomy snare, round bass, and an emotional chorus with overdubbed harmonies, subtle organ, and natural plate reverb
4:58

Turn It Up
Custom
90s hard rock/AOR anthemic rock ballad at 80 BPM in C# minor, Driving piano, soaring overdriven guitars, virtuosic melodic lead guitar with tasteful technical phrasing and groove-heavy soloing, soulful wide-range male vocals, falsetto peaks, powerful tom-driven drums, warm analog production, bittersweet uplift
5:54

Undecidable
v5.5
1985-inspired progressive jazz-fusion with instrumental passages and high male tenor vocals, Legato no-pick guitar, fretless bass, polyrhythmic drums, synth pads, and atmospheric keyboards weave complex 9th/11th/13th chords, minor modal harmony, asymmetrical melodic lines, clean-to-warm overdriven tones, ambient reverb, and a precise yet emotional improvisational feel
3:31

[Falsetto intro] Solo vintage vibe electric piano with echo, emotional jazz blues, [Verse] Soft, emotional and moving voice, Warm and with falsetto notes, Only vintage vibe electric piano, drums and warm bass, [Chorus] More energic, emotional and moving voice, Only vintage vibe electric piano, drums and warm bass, [Bridge] Moving from piano to guitar, Solo Guitar: modern high-gain electric guitar tone, thick and punchy distortion with medium-high gain, very clear note definition even when palm-muted, bright but warm top end, slight tube amp sag and compression, [Outro] biggest and most emotional, piano comes back strong together with guitar, everything swells, gospel-soul energy
Tempo: 52 BPM
Key: C
Style: Modern hard rock with deep 70s roots, Huge melodic chorus, virtuosic yet soulful, Mood: bittersweet, cathartic, determined
4:30

Mirror Mirror
v5.5
Alternative rock at 92 BPM in D minor with 90s alt-rock production: acoustic guitar and mandolin riffing in the intro, Hammond organ pad, orchestral strings, tight drums, wide stereo field, polished but not overcompressed, Female lead vocal is confident yet brittle, with low-medium verses that build into a bigger chorus and strong downbeat accents
4:27

Ink on Your Page
v5.5
Alternative rock ballad with acoustic focus at 72 BPM in B minor, built around virtuoso fingerstyle acoustic guitar, percussive body hits, and a secondary arpeggiated acoustic guitar weaving complex lead lines, soft drums, only brush, Thick saturated root-note bass, raw close-mic male vocalist performs with a gritty, emotive delivery, utilizing a wide dynamic range from chest voice to strained high notes

