3:43

The We In The World We See
v4.5-all
folktronica, glitch techno, 86 BPM, swung 16th groove, bass melody lead, bass-baritone lead vocal, gospel soul choir, harmonized chorus hooks, koto plucks, synthwave pads, analog arpeggiator, chopped vocal stabs, granular edits, sidechain compression, tape saturation, slapback delay, minor key, disillusioned urgency, psychedelia, graceful, dub reggae, indie pop rock
3:58

Vigilance lost
v4.5-all
folktronica, synthwave noir, gospel soul, 92 BPM, bass male lead, call-and-response chorus, steel-string fingerpicking, koto plucks, bowed bass, rotary organ, analog polysynth, Mellotron choir, taiko rim hits, sidechain pumping, tape saturation, gated reverb, minor key, cinematic dread, revelation arc
3:54

alternative rock and electro fusion, midtempo 96 BPM, saturated electric guitars, gritty synth bass, atmospheric pads, cinematic vocaloid harmonies, emotive male lead with operatic flair, dynamic indie-style build-ups, punchy electronic drums with sidechain pulses, spacious delay and lush plate reverb, dramatic climactic choruses, dark yet anthemic mood
2:51

futuristic techno-swing, hybrid nu metal influence, 130 BPM, distorted synth bass riffs, swung four-on-the-floor kick, metallic percussion accents, syncopated glitch stabs, layered bass clarinet and guitar-style synth leads, cyberpunk club atmosphere, aggressive yet danceable groove, pitch-shifted chopped vocal hooks, saturated drums, wide stereo pads, halftime breakdowns with heavy low male vocal presence, anthemic and catchy chorus focus
4:04

Spell 80
v5.5
indie rock, glitch rock, neoclassical darkwave, 78 BPM, breathy male vocals, layered octaves, call-response chorus, syncopated drum kit, electric bass riff, jagged guitar stabs, detuned synth pulses, tape delay throws, granular glitches, slammed snare, half-time breakdown, spring reverb, analog saturation, gated snare, bittersweet departure, golden resolve
7:59

High-energy 1980s synthwave remix with a strong rhythmic focus, driving four-on-the-floor electronic drums, tight punchy kicks, snappy gated snares, and crisp claps, Bright analog synth leads trade melodies with shimmering arpeggios and warm chorus-drenched pads, supported by a pulsing retro sequencer bass that locks into a catchy dance groove, Clear masculine baritone vocals sit upfront and polished with wide reverb and stereo delay, delivering the hook with confident, emotive intensity while rhythmic synth stabs and occasional overdriven electric guitar accents push the track toward an anthemic, club-ready feel
4:04

Help,Heal,Fix
v5.5
Country trap, catchy, drum and bass, reggae, blues, upbeat, r&b, pop, pop rock, male vocalist, grunge
4:12

cinematic folk, indie folk, 88 BPM, 6/8 waltz, fingerpicked acoustic guitar, mandolin tremolo, upright bass, hand percussion, bowed cello, fretless strings, ney flute, bamboo flute, layered male harmonies, distant choir, analog warmth, spacious reverb, dynamic crescendos, campfire intimacy, triumphant hope, ‑female vocals
4:19

alternative rock, electropop, 92 BPM, punchy electronic drums, sidechained synth bass, arpeggiated leads, crunchy overdriven guitars, shimmering polysynths, atmospheric pads, wide chorus effects, saturated parallel buses, tight vocal compression, subtle glitch fills, swing hi-hats, dynamic build-ups, bittersweet anthemic, rap, aggressive, uplifting, ballad
4:06

Merry Go Round
v5.5
reggae, hip-hop, 92 BPM, dub bassline, skanking guitar chops, spoken chant hooks, maraca accents, turntable scratches, rimshot snare, tape delay echoes, spring reverb, saturated kick, max-intensity opener, sparse breakdowns, call and response, 90s boom bap, urban isolation
3:39

Let It Just Be
v5.5
house, hip hop, 124 BPM, swung 16th hats, four-on-the-floor kick, syncopated bassline, bass clarinet riffs, swing brass stabs, chopped vocal hooks, call and response, wide stereo synths, sidechain pumping, dry snare crack, glitch interludes, breakdown builds, bittersweet detachment, groovy
7:59

Carcajou
v5.5
electro trap, dark clubbing, cyberpunk techno, distorted synth bass, razor arpeggiator, processed vocal chops, vocoder hook, subdrop impacts, gated snare, four-on-the-floor kick, syncopated hi-hats, sidechain pumping, overdriven drum bus, chrome synth leads, minor key, 132 BPM, ominous swagger, reggae, reggae, melodic
