4:33
Grindline
v5.5
Cinematic ballad with soft acoustic guitar, atmospheric pads, and emotional layered female vocals, Warm, intimate tone with a slow build — heartfelt and timeless
3:38
She's the Queen
v5.5
A glitchstep, dance-rock fusion at 98 BPM launches with aggressive synth stabs and deep, layered tribal bass drops, Female rap-rock verses cut through dense guitars, followed by male rap sections over booming beats, Live dub energy pulses via crowd chant rhythms and high-impact, punchy hooks
4:21
Sonix
v5.5
arena rock, cinematic rock, thunderous drum solo, tom-heavy tribal groove, gritty electric guitar riff, pulsing bassline, synth hum intro, crowd chant chorus, shouted frontwoman, triple tracked harmonies, crash cymbals, call and response, halftime bridge, 132 BPM, live room ambience, slapback echo, distortion soak, explosive finale
5:49
Lock It Down
v5.5
modern thrash metal, fast gallop rhythm, palm muted precision guitars, downpicked riff blocks, twin lead harmonies, punchy live drums, sharp snare crack, crowd chant hooks, front row mix, high clarity mix, clean bus compression, wide stereo guitars, transient tuned kicks, dry room reverb, locked double-time, anthemic aggression, arena urgency, live stage energy
3:42
Speed of Time
v5.5
glitch metal, cyberpunk rock, 142 BPM, palm-muted chug riffs, octave lead guitar, live distortion pedals, granular synth pads, reversed tape loops, crushed drum room, stereo widening, tempo crash drops, halftime breakdowns, industrial snare hits, sub-bass impacts, chaotic live energy, dark synthwave pulse
3:02
No Brakes
v5.5
dark post-dreamwave, alternative rock, glitch synth lead, tribal toms, live room drums, distorted bass guitar, delay soaked guitar swells, call and response chants, sidechain pumping, stereo slapback, halftime drop, arena build, explosive chorus lift, 132 BPM, brooding surge, ritual drive, female alto lead, Buck rap verses
4:03
Burn the Stage
v5.5
cinematic rock fusion, arena rock, guitar-driven riffs, analog moog pad, layered synths, modular arpeggios, clean electric lead, distorted rhythm guitars, tom tom buildup, sub drop impact, tape saturation, wide stereo image, plate reverb, gated snare, gradual build, explosive transition, post-synth wave, hybrid rock production, 80s arena polish
3:22
Ignition Line
v5.5
cinematic rock, arena rock, drop D palm-muted guitars, Ibanez melodic lead, Peavey picked bass, hybrid drum kit, double-kick barrage, Juno synth intro, high-passed pads, wide stereo guitars, analog tape saturation, 90s arena mix, plate reverb, punchy transients, stadium anthem, late-night defiance, key lift, explosive release
4:12
Live: Opens with crowd noise and a blazing guitar riff, Verses drive with double bass drums, overdriven guitars, punchy bass, and energetic female vocals, with sharp synth hits on transitions, An intense guitar solo leads to explosive drum/bass solos, swelling with female choir, epic orchestra, thunderous percussion, and spacey synths, creating an anthemic alternative rock climax
3:54
A glitchstep, dance-rock fusion at 98 BPM launches with aggressive synth stabs and deep, layered tribal bass drops, Female rap-rock verses cut through dense guitars, followed by male rap sections over booming beats, Live dub energy pulses via crowd chant rhythms and high-impact, punchy hooks