3:01

Greedy rhythm, dark era tragic triumph lowercase midi dark pop gangsta bop rap drama, 6/6 time, 6/2 tempo, 92 bpm, heavy drums and snares, keyboard, distorted tuba, growling
2:34

Heart Eater: Bug (Mashup)
v4.5-all
Greedy rhythm, dark era tragic triumph lowercase midi dark pop gangsta bop rap drama, 6/6 time, 6/2 tempo, 92 bpm, heavy drums and snares, keyboard, distorted tuba, growling
5:22

Dark, colonoscope, teeming, terminal rap antics, trap folk drill beat drum rhythm bootstraps Bing Bing bongo type song crazy verse rap ancient knowledge vibes 110hz healing trap folk terminal ra, 808s, 5/9 time, 99 BPM, great and catchy
3:50

Peace in My Mind
v4.5-all
Dark, dreamy, ethereal, math rock, ballad, classical, orchestral, dramatic, gospel, groovy, catchy, distorted violin, church organ, heavy kick drums and snares, 7/7 time, 77 BPM, grade school choir backup vocals, fastidious baritone deep voiced urban male vocals rapper lead vocals
4:08

Meet Me at Midnight
v4.5-all
dark, dark, dark pop lo-key midi folk dark pop lowercase dark pop inspired gangsta rap, 808s, upright bass, distorted cello, 5/4 tempo, 6/7 time, 99 bpm, broken English Asian female vocals rapper singer
3:04

Vibe Check (Sampled Track)
v4.5-all
Dark, harrowing, condescending lowercase gangsta rap bounce drop Philly drill phonk rap Philly drill with warm hi-hats, minimal percussion elements mainly heavy drums and a kettle drum, distorted keyboard, 808s, big bone shaking bass, gritty growling disgruntled urban male vocals slick
2:40

Not for the Faint of Heart
v4.5-all
Hip-hop parody with tuba-bumping boom-bap in 5/4 at 88 bpm, swaggering swung drums and grimy handclap snaps; verse rides sparse bass tuba and skittering hi-hats, pre-chorus tightens with chant stacks, chorus drops a rude brass stab and gang ad-libs, bridge strips to kick and snare with a dry half-time pause before the last hook, Chatty male vocals, cocky double-tracked lines, comedic ad-libs, short delay throws on punchlines, vinyl crackle and cymbal swells between sections; mix is dusty, wide, and heavy in the chest, hip-hop, comedy, grime, faint, rap, rich
2:33

2:12

Dark, dark pop×black midi×lowercase×midi×philly drill rap, keyboard, 808s, bass, drastic drums, distorted banjo, bamboo organ, 90 BPM, 6/6 tempo, 6/7 time, amazing and great
4:20

Go and F#@k Up My Whole Day
v4.5-all
Philly rap with a cold head-nod bounce, dusty drum loops, punchy kicks, and stuttering vocal chops; intro teases with chopped street chatter and filtered keys, verses ride sparse drums with sharp internal rhymes, bridges strip to bass and handclaps before a snare lift, chorus lands with gang vocal repeats and a hard piano stab, Close-mic lead, doubled punch lines, ad-lib echoes, tape hiss transitions, bright and gritty mix, rap
4:06

Amidst the Rubble
v4.5-all
Dark, dank, punk, funk, drum, orchestral, drum and bass, r&b, indie, deep, chill, Philly drill no hi-hats track, aggressive male urban vocals
2:40

Shadows in the Daylight
v4.5-all
Callus, contemporain, deep percussion, uk hip hop, dark acid jazz×bounce drop rap song, 808s, distorted bells beat, bells pausy, 6/3 time, 33/2 tempo, 107 BPM, shitty attitude evil female vocals
3:34

What Is to Follow
v4.5-all
Trap rap with a slow rolling swung groove, eerie low-end pulse, and luxurious midnight bounce; verse rides sparse drums and plucked keys, pre-chorus lifts with filtered choir swells, chorus lands on a chantable hook and stacked gang doubles, English lead with sung Swahili adlibs, whispered turns, and delay throws on key phrases, Ear candy includes reversed bells, risers into each drop, and filtered vocal chops, Mix is dark, glossy, and close-mic intimate, rap, lowercase
3:00

Way Out of Here
v4.5-all
Dark, dark, pop, hip-hop, rap, 808s, bleeding soul shaking bass, sketchy piano keyboard, thunderous drums, deep lo-fi cello, 6/7 time, 86 BPM, flemy growly southern female vocals rapper singer queenet
3:31

This My Day
v4.5-all
Dark pop-hip-hop rap in 3/4 at 111 BPM with booming 808 bass, a distorted ukulele pulse, and hard-swung drum accents; intro starts sparse with filtered uke and sub rumbles, bridges drop to voice and handclaps before snapping back, verses ride tense low-end with close-mic grizzled male vocals and ad-lib doubles, choruses open wider with chanty gang hooks and short delay throws on the title, Ear candy: reversed uke swells into each section, a tape-stop before the final chorus, and metallic rim clicks flickering through the mix, Brightly clipped lows, gritty mids, and cinematic punch, pop, rap, ukulele, male vocals, hip-hop
2:38

To Be Decided
v4.5-all
Back and fourth between a singer a and singer b with musical instructions and transitions an intro and outro and is all about and titled To Be Decided, Singer A to be flirty sultry female vocals and Singer B to be husky baritone urban male vocals
2:38

뭐 해요
v4.5-all
dramatic, fantasy midi lowercase K-pop, 93 bpm, 5/3 time, soulful mexican deep urban male vocals
2:33

The Katatar Fish
v4.5-all
J-pop influenced hyperpop rap with 8-bit chiptune leads, bouncy dembow-adjacent bounce, and glitchy drop energy; intro and bridges stay stripped to bleeps, handclaps, and filtered bass, while verses ride nimble trap drums and chorus hits with candy-coated synth stacks and doubled chants, Vocal delivery is close-mic, lowercase and laid-back in verses, then wide stacked harmonies, playful ad-libs, and short delay throws on the hook, Ear candy includes game-console arpeggios, reverse swells into drops, and tiny coin-ping fills, Bright, glossy, and slightly surreal mix, rap, bounce, lowercase, opera, j-pop
4:00

Dark, punk, phonk, trap, rap, male voice, raspy, clear vocals, dark, urban, industrial, trap, rap, punk, phonk, male voice, raspy, clear vocals
4:00

Trap, death, metal, rap, punk, rap, nu metal, phonk, industrial, urban, 583 BPM, 666 531 tempo, raspy, male vocals
2:49

Alone in the Glow
v4.5-all
male vocals, cyberpunk, rock, dubstep, edm, dark, aggressive; trap beats with dubstep bass hits and haunting pads, progressive chord shifts with time changes, raspy male vocals layered over edm energy and rock grit, dirty south rap
1:32

Let Go and Run
v4.5-all
acoustic, hardcore punk, percussive strumming, with bursts of aggressive energy, raw
3:45

The Very Next Day
v4.5-all
house, blues, pop, ballad, indie rap, epic, dark, progressive, catchy, distorted flute, 898s, bicentennial beat laced with binaural beats, shady-ass sneaky creepy urban male vocals rapper
2:05

Pop-hip-hop with bouncy swung drums, clipped handclaps, and a rubbery bassline; verses ride tight rap pockets, pre-chorus strips to snapped percussion and a chant, chorus hits with big pop doubles and playful Simon-says callouts, Lead vocal is close-mic with stacked hook harmonies, ad-lib panning, and short delay throws on the title line, Risers, finger snaps, and reversed swells lift each turn, Bright, punchy, and slick with a sly grin, hip-hop, pop, rap
4:53

dark, dark, dark pop hip-hop rap, big bone shaking bass, 5/4 time, 126 bpm, 808s, minimal percussion elements kettle drums and snares, lo-fi cello, soft piano or organ licks, aloof urban swagga male r&b baritone vocals
3:10

I Don't Know
v4.5-all
Philly drill R&B with a haunted swing and sparse, stomping percussion; verses ride low-end drums and a bent piano figure, pre-chorus strips to a rumbling bass pulse and clipped hand percussion, chorus hits with stacked minor chords and a cold call-and-response, Angry raspy urban male lead, double-tracked on peaks, ad-lib throws on key lines, reverse swells into transitions, gritty intimate mix with sharp lows and hollow space, soul, male vocals, minimal, r&b, drill
3:33

Glass Hands
v4.5-all
Trip-hop with cyberpunk bounce and half-time swing, gritty mid-tempo drums, rubbery sub pulses, and chopped synth sparks; intro opens with filtered hum and broken keypad clicks, bridge strips to kick and ghostly vocal slices, verse rides sparse bass and snapped rimshots, chorus hits with warped hook stabs and low gang replies, Breathy close-mic lead, doubled on the hook, with delay throws, reversed swells, and glossy-crushed mix character, bounce, lowercase
2:38

2:39

dark, dramatic, smooth, slow, OPM R&B, smooth, sexy, unique as fuck
2:36

Dark, industrial rap trap rap Philly drill rap no hi-hats none at all open hats only soaringly, eerie freaky sample loop, 808s, upright bass, distorted cello, 86 BPM, 6/6 tempo, crying background vocals, heartbroken angry urban raspy rapper male vocals
3:50

Dream Big
v4.5-all
uplifting, acoustic, cinematic, soul, punk, ethereal, epic, heartfelt violin song
2:55

Is It Any Good Though?
v4.5-all
rock, dark punk-pop inspired raspy voiced Philly drill no hi-hats track, punk, drill, pop
4:48

Post punk pop hip-hop industrial lowercase trap rap, philly drill no hi-hats, 808s, big bass, scary kettle drums, 6/2 time, 101 BPM, urban raspy ass male rapper vocals
3:30

Dark, dark, rap×pop dark industrial rap, urban rap, hood rap, lowercase rap, dark Philly narrative, 808s, scary cello, oddly played lo-fi tuba, keyboard synth, driven background beat, 10/6 time, 86 BPM
4:16

Weaponized Metrics
v4.5-all
Industrial r&b×rap, lowercase×aggressive elegant rap, spoken-word grit, distorted bassline, heavy synth stabs, rising anthemic tension, 120 BPM
2:07

It All Ads Up
v4.5-all
Philly drill at 99 BPM with hard slidin' hi-hats, dark warm sub-bass, and clipped rim shots; verse rides tense and sparse with guttural 2-note piano hits, pre-chorus tightens with filtered snare rolls, chorus opens into chanty gang doubles and a distorted bass stab, Add rewind-glitch risers, TV-static pops, and ad-break stingers, Gritty close-mic male vocal, bright-and-punchy low end, icy top, warm, drill
2:38

Rumors (Remix)
v4.5-all
sad, emotional, dark dark pop R&B duet ballad pop-hop binaural beat bass boosted with bamboo organ
3:16

Space case futuristic hip-hop dark pop trap metal hip-hop drill pop Philly muffled hi-hats 808s big bone shaking bass epic beats 103 bpm, 4/2 time
3:20

You Can Do It
v4.5-all
Philly drill x R&B with muffled hi-hats, sliding 808s, and a tense halftime swing; verse rides sparse keys and clipped bass hits, pre-chorus opens with stacked harmonies and a rising pad, chorus lands on a chanty call-and-response hook with doubled lead and ad-lib echoes, Use filtered risers, reversed bell swells, and a short drum-drop before the final chorus, Dark, intimate, and punchy in the mix, with close-mic male vocals and gritty doubles on key lines, drill, r&b
3:51

Distorted bongos, dark, dreary, dark hammer pop drill hardcore hip-hop, urban rap, hood and street sound, 808s, supersonic bass, very modest low-key truphets spits minimal, 6/6 time, 6/7 tempo, 117 bpm, gutteral primal urban male vocals
3:37

Hip-hop with boom-bap swing and eerie urban-legend tension, crisp kicks and dusty snares in the foundation; intro creeps in with vinyl crackle and whispered chant, bridges thin down to bass and handclaps, verses ride tight drum loops with sharp triplet pockets, choruses slam with stacked hook doubles and crowd-style responses, final chorus opens wider with extra harmony and risers; close-mic lead vocal, sly ad-libs, delay throws on punch lines, dark but polished mix with a gritty street-story edge, lyrical
3:52

Unrelated
v4.5-all
Dark trip-hop rap with swung dust-snarled drums, fat vinyl crackle, sub-bass rolls, and chopped piano stabs; verse rides a murky loop with long, elastic bars, pre-chorus tightens on filtered drums and reversed swells, chorus snaps open with a cold hook and gang doubles, Vocal is close-mic and menacing, with dry lead verses, doubled hook lines, and a few delayed ad-lib throws, Mix is lo-fi, gritty, and wide, with tape wobble, needle hiss, and sidechain breathing under the low end, rap
3:41

Faith Heal Her
v4.5-all
dark, uplifting, doowop r&b drill, philly drill, 92 BPM, intro bridge structure, verse chorus cycle, final chorus outro, stacked doo-wop harmonies, muted trumpet stabs, wheezy accordion, upright bass plucks, distorted slow piano, lo-fi cello beats, 808 sub drops, tight rimshot snares, warm open hats, tape saturation, spring reverb, mono vocal plate, bittersweet betrayal, streetwise swagger
3:18

Dark, 1970s surfer rock Philly drill rap trap folk rap, upright bass, backup vocals group female backup singers, raspy flemy deep urban male soulful deep voice vocals rapper
3:41

5:05

Pressure Under Fire
v4.5-all
1950s, despot, dreary, callused cocky rap lowercase trap music, dark
3:36

Y'all Don’t Know Me
v4.5-all
Boom-bap rap with bass-boosted drums and dusty vinyl chop loops; verses ride laid-back pockets with crisp snare cracks and tight kick punches, pre-chorus lifts on chopped piano and filtered vocal cries, chorus hits with gang ad-libs and a low brass stab, Close-mic lead stays gritty and conversational, with doubled hook lines, delay throws on punch words, tape hiss fills, and a huge sub-forward mix that stays raw and punchy, rap, world
3:34

Three Days in the Bottle
v4.5-all
Philly drill, urban cowboy, 122 BPM, 6/8 pulse, warm open hats, heavy 808s, detuned kick, banjo plucks, baritone guitar stabs, pedal steel swells, muted trumpet licks, tape saturation, mono drumroom, short plate reverb, spoken intro, chant hook, bleak resolve, nocturnal grit
3:31

Trap-pop, Melancholic synth intro drops into a heavy bass groove, 2/6 time, 110 bpm, Male rap-singing, female synth-vocals, Glitchy tech bridge, sudden digital fade
4:14

1950s psychedelic folk pop art diesel rap, 5/4 time, 3/3 tempo, 99 bpm, singer a-stocky pouty gruff male vocals, singer b-furious slow speaking soulful female vocals
