
Seven Something
Seven Something is a short song cycle about a single day, where a forgotten watch leads her back to the one person she feared seeing again.
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4 songs
3:39

Seven Something
Custom
Psychedelic art rock/progressive pop/experimental folk rock in B♭ major at 88 BPM, gently hypnotic and quietly moving, Warm melodic electric bass leads, dry organic drum kit with light toms and restrained cymbals, electric piano, folk guitar textures, tape echo, phased details, airy harmonies, and evolving dynamic layers, ‑traditional Chorus, ‑orchestral bombast, ‑indie pop
4:22

One Place
Custom
Psychedelic rock/kosmische musik fused with experimental psychedelia, noise-folk, drone, and post-punk at a floating 72–88 BPM, Droning harmonium, fingerpicked acoustic and electric 12-string, Mellotron, Farfisa, phased bass, fuzz bass, brushed drums, tabla, bowed cymbals, modular drones, tape echo, spring reverb, field recordings, feedback haze, roomy bathroom reflections; talk-sung, elastic phrasing over a modal, drifting center, ‑verse-chorus structure, ‑hooks, ‑melodic climax, ‑vocal harmonies, ‑auto-tune, ‑polished mixing, ‑orchestral arrangements, ‑dramatic dynamics, ‑clean production, ‑predictable chord progressions, ‑traditional song form
3:57

Hanging There
Custom
Hypnotic psychedelic art rock with experimental pop hooks, neo-psychedelic haze, and dreamlike chamber rock orchestration, Muted drums, elastic bass, tape-worn electric guitars, Mellotron, celeste, and clarinet weave around close-mic vocals, warped delay, reverse FX, and crowd-chant chorus hooks, creating an uncertain, obsessive, slightly unsettling drift
4:15

Borrowing Time
Custom
Psychedelic rock, experimental art rock, post-punk, and krautrock at 146 BPM in B♭ major/6B, Pulsing motorik drums, dry toms, rubbery bass ostinato, and phased electric guitars with spring reverb and tape delay, Disquieting synth drones, repetitive riffs, and restrained, observational vocals with subtle chorus keep the arrangement hypnotic and unresolved, Roomy low end, slight flange, gradual dusk-toned build, A second distant female voice sings only the recurring phrase "Borrowing Time" using a completely independent melody, It must never harmonize, answer, imitate or synchronize with the lead vocal, The two melodies should naturally overlap as unrelated musical events happening in different acoustic spaces
