4:10
raw, ultra-heavy dark-folk, horror-punk, hyper-melodic, fast driving (140-160 bpm), multiple layered undead-elvis-baritone-voices, ghostly background-choir (oh), sing-along-chorus, catchy, very little rockabilly-influences, 50‘s-b-horror-movies-inspired
3:40
punk, retro horror-punk, gritty, undead-elvis baritone vocals, punk rock, NWOBHM
2:23
Love Bites Back
v4.5+
and undead-elvis-style male vocals delivering spooky sarcasm and dramatic flair, punk, dark, hyper-melodic, haunting horror-punk with heavy guitar riffs, eerie background choir (oh)
3:28
punk, retro horror-punk, gritty, undead-elvis baritone vocals, punk rock
3:26
punk, retro horror-punk, gritty, undead-elvis baritone vocals, punk rock
3:13
raw, heavy horror-punk, hyper-melodic, fast driving (140-160 bpm), multiple layered undead-elvis-baritone-voices, ghostly background-choir (oh), sing-along-chorus, catchy, very little rockabilly-influences, 50‘s-b-horror-movies-inspired
4:28
punk, retro horror-punk, gritty, undead-elvis baritone vocals, punk rock
5:07
punk, retro horror-punk, gritty, undead-elviss baritone vocals, punk rock, wind fx, horror fx, ghostly loughter, sparse ghostly background-choir (oh)
3:08
Horror-punk / hardcore-punk at 210 BPM with frantic downstroke guitars, gang-shout gang vocals, and a dirty bass sprinting under the kick; verse storms hard and clipped, pre-chorus lifts into a sneering chant, chorus opens wide with layered raspy low baritone doubles and sparse background oh’s, bridge drops to toms and a haunted spoken snarl before the final blast, Tape hiss, reverse cymbal swells, skull-rattle pauses, and one last feedback scream, Raw, grimy, and loud in a cracked basement mix, low, hardcore, punk, raw
2:50
Hardcore-punk horror-punk with fast galloping drums, jagged downstroke guitars, and grimy gang shouts; verse rides a raw push-pull groove, pre-chorus thins to tom hits and menace, chorus snaps into a sing-along chant with stacked raspy low voices and sparse background oh’s; bridge drops to half-time then slams back harder, Dirty, close-mic, wide-and-brutal mix with splintered feedback bites and tape-slam transitions, low, hardcore, punk, raw