3:38

Unemployed Job-Coach -1-
v4.5-all
Female Minimal smoky voice syncopated Country-Western-Rock with a satirical undertone driven by driving drums and guitar going forward mid tempo
4:30

Female Vocals Very laid-back africana german psyflow trap’n’slap
4:49

Moody Moodswings in a positive way R'n'B funk and RAP inspired nu-coolness female vocals duet female singers only
2:27

hitclip radio jingle, spoken-word / freespeech advertisment style female vocals polyphone singing layered instruments sweet horns r'n'b influenced piano guitars
1:42

Spoken word intro with a lo-fi hip hop and jazz-influenced background, A clean electric guitar plays jazz-inflected chords with a slight chorus effect, A steady mid-tempo drum machine beat features a crisp snare and a subtle kick, The male speaker delivers a casual, conversational monologue in German with a dry, close-mic proximity effect, The arrangement is minimal, focusing on the clarity of the speech over the repetitive instrumental loop, Key of C major, 95 BPM, 4/4 time signature
1:53

Spoken word field recording, A female voice speaks in German with a casual, conversational tone, The recording features significant room ambience and the sound of rhythmic footsteps on a hard surface, likely a wooden or tiled floor, which continue throughout the duration, The vocal is dry with no studio processing, capturing the natural acoustics of a domestic or office space, The tempo of the footsteps is approximately 112 BPM, There are no musical instruments or melodic elements present
1:12

Spoken word recording with a single male voice, The vocal is dry with minimal room ambience and no musical accompaniment, The speaker uses a conversational, informal tone with natural speech cadences, including occasional hesitations and colloquialisms, The recording has a narrow frequency range consistent with a mobile device microphone, There are no instruments, percussion, or melodic elements present
0:52

Spoken word recording with a dry, close-mic vocal profile, The female voice is centered in the mix with minimal room ambience and no background instrumentation, The delivery is conversational and rhythmic, featuring natural speech cadences, occasional laughter, and varying dynamics, The recording has a high signal-to-noise ratio with no audible compression artifacts or equalization beyond standard vocal clarity, The tempo follows the natural pace of German speech at approximately 115 BPM
1:14

Spoken word field recording, A female voice speaks in a conversational, informal tone with natural pauses and breath sounds, The recording includes prominent environmental background noise, including birds chirping, distant traffic hum, and the sound of wind hitting the microphone, The vocal is dry with no studio processing or artificial reverb, The tempo is irregular, following the natural cadence of speech, No musical instruments are present
0:33

Field recording of a spoken word monologue captured in a public transit environment, A female voice speaks in German with a casual, conversational tone, The background is dominated by the mechanical drone of a moving train, featuring low-frequency rumble and metallic resonance, Occasional ambient sounds of a crowded carriage are present, including muffled movement and distant passenger murmurs, The recording has a lo-fi, monophonic quality with significant environmental noise floor and no musical accompaniment
1:20

Field recording of a subway train interior, The soundscape is dominated by the mechanical hum of the electric motor and the rhythmic clatter of wheels on steel tracks, High-frequency metallic squeals occur during track transitions, Background noise includes the low-frequency rumble of the moving carriage and the muffled, ambient chatter of passengers, Occasional mechanical clicks and the hiss of pneumatic systems are audible, The acoustic environment is characterized by the resonant, metallic reflections of a confined transit car
1:41

Spoken word monologue in German, A male voice speaks with varying intensity, ranging from conversational to agitated and shouting, The recording has a dry, close-mic proximity effect with minimal room ambience, No musical accompaniment or rhythmic backing is present, The vocal delivery is characterized by natural speech patterns, including pauses, sighs, and emphatic stress on certain syllables, The audio quality is clear with a flat frequency response, typical of a podcast or voice memo recording
1:59

Spoken word recording featuring a male voice with a casual, conversational tone, The audio is a raw field recording with significant room ambience and low-level background noise, The speaker maintains a relaxed pace with frequent natural pauses, hesitations, and non-lexical fillers, The vocal delivery is intimate and close-mic'd, capturing subtle breath sounds and mouth noises, There is no musical accompaniment or rhythmic structure
2:32

Spoken word field recording with no musical accompaniment, The audio consists of a single male voice speaking in German with a conversational, distressed, and urgent tone, The recording environment has a slight natural room ambience with minimal background noise, The vocal delivery is characterized by natural speech patterns, including pauses, sighs, and varying emphasis, There are no instruments, rhythmic elements, or melodic components present in the recording
1:50

Spoken word field recording, A male voice speaks in German with a casual, conversational tone, The recording features significant environmental background noise, including the sound of passing traffic, wind interference on the microphone, and mechanical clicking sounds, The vocal is dry with no studio processing, captured in an outdoor setting, The pacing is irregular, following natural speech patterns with occasional pauses and ambient interruptions
0:35

Lo-fi field recording with spoken word, The audio consists of a male voice speaking in German over a natural outdoor soundscape, Background elements include birds chirping and distant ambient noise, The recording has a raw, unpolished quality with noticeable wind noise and proximity effect on the microphone, The tempo is irregular, following the natural cadence of speech, The key is indeterminate due to the lack of melodic instruments
1:25

Spoken word field recording, A female voice speaks in German with a casual, conversational tone, The recording features significant environmental background noise including the constant hum of city traffic, passing cars, and wind interference hitting the microphone, The voice is dry and close-miked, contrasting with the distant, ambient street sounds, There are no musical instruments or rhythmic accompaniment, The tempo is dictated by natural speech patterns
0:21

Field recording of a natural soundscape, High-frequency bird vocalizations including rhythmic chirps, sustained whistles, and complex warbling patterns are layered over a consistent low-frequency background hum, The acoustic environment features natural reverberation consistent with an open outdoor space, No musical instruments, rhythmic percussion, or melodic structures are present
1:25

Spoken word recording with a single male voice, The vocal delivery is extremely low-energy, characterized by heavy breathing, yawning, and a groggy, tired tone, The recording has a high noise floor with noticeable room ambience and occasional rustling sounds, The speaker uses a conversational, informal German dialect, There is no musical accompaniment, rhythmic structure, or melodic content, The voice remains in a low register with frequent pauses and audible inhalations
1:34

Spoken word field recording, A single male voice speaks in a casual, agitated tone with a German accent, The recording features natural room acoustics with a slight reverb and low-level background noise consistent with a handheld microphone or phone recording, The vocal delivery is conversational, varying in pitch and intensity as the speaker expresses frustration, There are no musical instruments, rhythmic accompaniment, or melodic elements present, The audio is monophonic and raw, without studio processing or effects
1:38

Spoken word field recording, A male voice speaks in German with a casual, conversational tone, The recording features significant environmental noise, specifically the sound of wind rushing past a microphone and the mechanical creaking of a door being fanned or moved, The audio has a lo-fi quality with prominent mid-range frequencies and no musical accompaniment, The speaker's delivery is rhythmic but non-melodic, characterized by natural speech patterns and occasional laughter
4:36

Field recording of a spoken word monologue in German, The recording features a male voice with a natural, conversational tone, Background elements include ambient outdoor sounds such as birds chirping, distant traffic noise, and the sound of wind hitting the microphone, Occasional mechanical sounds like a car engine passing by and a door latch clicking are present, The recording has a raw, unpolished quality with varying levels of wind interference and proximity effect on the vocals
2:25

Field recording with spoken word, A female voice speaks in German with a casual, conversational tone, featuring natural breathing and occasional laughter, The background consists of ambient environmental noise including wind hitting the microphone, distant traffic hum, and the sound of footsteps on a balcony, The recording has a raw, unproduced quality with no musical accompaniment or rhythmic structure, The vocal delivery is intimate and informal, characteristic of a personal audio diary or a radio field report, The audio is monophonic with a narrow frequency range and noticeable wind interference
1:55

Spoken word radio broadcast with a single male voice, The recording features a dry, close-mic proximity effect with minimal room ambience, The speaker uses a conversational, informal tone with natural speech cadences, occasional stutters, and colloquial German phrasing, Background noise is negligible, focusing entirely on the vocal delivery, The tempo follows natural human speech patterns without a musical beat or backing track
0:44

Lo-fi spoken word experimental piece, A dry, close-mic'ed male voice delivers a monologue with no musical accompaniment, The recording features a high noise floor with audible room tone and occasional mouth sounds, The vocal delivery is casual, rhythmic, and conversational, lacking any melodic pitch or singing, The audio is monophonic with no artificial reverb or delay effects applied
1:49

Spoken word field recording with ambient city noise, A female voice speaks in German with a casual, conversational tone, featuring frequent laughter and informal phrasing, The recording captures a high level of background noise, including wind interference on the microphone, distant traffic, and the sound of footsteps on pavement, The vocal is dry with no studio processing, exhibiting natural room acoustics and outdoor proximity effect, The tempo is irregular, following the natural cadence of speech, and there is no musical accompaniment or rhythmic structure
3:36

slow blues für langsame und noch langsamere denker female vocals
1:45

Spoken word field recording, A male voice speaks in German with a casual, conversational tone, featuring natural breathing sounds, sighs, and mouth noises, The recording has a raw, unpolished quality with minimal background noise, suggesting a close-mic setup in a quiet room, The speech is rhythmic but non-musical, following the natural cadence of a personal audio log or diary entry, No melodic or percussive instruments are present
1:43

Field recording with spoken word in German, The audio consists of a male voice speaking in a casual, conversational tone with natural background ambience, Environmental sounds include the rustling of curtains, the sound of a door opening, and distant city traffic noise, A high-pitched, mechanical whirring or siren-like sound from a passing vehicle occurs toward the end of the recording, The vocal is dry with no studio processing, captured in a domestic room setting with slight natural reverb
1:31

Spoken word monologue with a casual, conversational delivery, The recording features a single male voice with a natural, dry acoustic profile and minimal room reflection, The vocal performance is characterized by a mid-range frequency focus, clear articulation, and varying dynamic levels ranging from calm explanation to emphatic frustration, No musical accompaniment, background noise, or post-production effects are present, The pacing is irregular, following the natural cadence of speech with frequent pauses and shifts in emphasis
1:50

Field recording featuring a male voice speaking in German, The recording captures ambient outdoor sounds including wind noise, distant traffic, and the rustling of clothing or equipment, The speaker uses a conversational, narrative tone with natural pauses and breaths, The audio quality is raw with significant wind interference and background noise consistent with a handheld microphone or mobile device recording in an urban environment
7:59

instrumental 80's very hypnotic monotone catchy and dreamy synth pads loops mixed with an industrial atmosphere
1:44

Field recording with spoken word and ambient city sounds, A male voice speaks in German with a casual, conversational tone, Background elements include the crunch of footsteps on gravel, the low-frequency hum of idling engines, and the Doppler effect of passing vehicles, A brief snippet of high-energy electronic dance music with a heavy kick drum and synthesized bassline plays from a passing car, The recording captures natural environmental reverb and wind noise against a suburban soundscape
1:58

Spoken word field recording with ambient urban background noise, A male voice speaks in German with a casual, conversational tone, The recording captures footsteps on pavement and distant construction sounds including shovels and gravel movement, The vocal is dry with no studio processing, exhibiting natural room acoustics and wind interference, The tempo is irregular, following the natural cadence of speech and walking, No musical instruments or rhythmic accompaniment are present
2:15

German-language field recording and spoken word piece, A male voice speaks in a casual, observational tone over ambient city noise including traffic, footsteps, and distant chatter, At 01:25, a high-energy electronic dance music track enters the background, featuring a four-on-the-floor kick drum, syncopated synth bass, and bright, filtered lead synths, The background music is in 4/4 time at 128 BPM, The vocal remains dry and conversational, contrasting with the reverberant, outdoor acoustics of the environment
2:07

Field recording of a male voice speaking in German, captured in an outdoor urban environment, The recording features significant ambient noise including the sounds of passing vehicles, wind interference on the microphone, and the mechanical idling of a bus, The speaker's voice is informal and conversational, with natural pauses and varying proximity to the microphone, The background soundscape is dominated by low-frequency engine rumbles and high-frequency tire noise on asphalt, No musical instruments or rhythmic accompaniment are present
2:10

Field recording of a male voice speaking in German over ambient environmental noise, The recording features the mechanical hum and rattling of a moving bus, the crinkling of a plastic bag, and the muffled sounds of traffic and wind, The voice is casual and conversational, recorded with a close-mic proximity effect that captures breath and subtle mouth sounds, The background noise includes low-frequency engine vibrations and occasional high-frequency metallic squeaks from the vehicle's suspension, There is no musical accompaniment or rhythmic structure
2:13

Field recording of a casual outdoor conversation, The audio features a male interviewer and two female interviewees speaking in German, Ambient city noise is present in the background, including the distant hum of traffic and wind noise hitting the microphone, The voices are captured with a handheld microphone, resulting in varying proximity and occasional handling noise, The male voice is clear and centered, while the female voices are slightly off-axis, The recording has a raw, unpolished quality with no musical accompaniment or post-production effects, The dialogue is spontaneous and informal, characterized by natural speech patterns, laughter, and overlapping voices, The acoustic environment is open and reflective of a public street or bus stop setting
2:22

Rap’n’Trap sprechgesang cool women move to the groove female vocals duet creative style midtempo or faster
1:28

Lo-fi field recording with spoken word narration, A female voice speaks in German with a relaxed, conversational tone, recorded with a close-mic proximity effect and noticeable room ambience, The background features environmental noise including the rhythmic clatter of a passing train, distant muffled music from a neighboring room, and various domestic foley sounds like the rustling of laundry and the movement of a plastic bin, The recording has a raw, unpolished quality with a high noise floor and occasional wind or breath pops on the microphone, The tempo is irregular, dictated by the natural cadence of speech and the passing train, No melodic instruments are present, only the ambient soundscape and the dry vocal track
1:40

Spoken word radio broadcast with a male speaker, The audio consists of a single dry vocal track with no background music or instrumental accompaniment, The speaker uses a conversational, informal tone with varying dynamics and expressive inflection, The recording has a clean, close-mic proximity effect with minimal room ambience, The tempo of the speech is moderate with natural pauses and rhythmic emphasis on certain words
1:50

Field recording with spoken word in German, The audio consists of a male voice speaking into a microphone in an outdoor environment, Ambient sounds include heavy traffic noise, passing cars, wind hitting the microphone diaphragm, and the sound of footsteps on gravel, The speaker's voice is close-miked with a natural, uncompressed quality, occasionally interrupted by the loud roar of internal combustion engines and tire friction on asphalt, There are no musical instruments or rhythmic structures present
2:01

Field recording featuring a male voice speaking in German over ambient city noise, The recording captures the natural acoustics of an outdoor urban environment with prominent wind noise and the sound of passing vehicles, The speaker maintains a conversational, observational tone with varying proximity to the microphone, Background elements include the mechanical hum of traffic, the sound of bicycle tires on pavement, and distant city atmosphere, No musical instruments or rhythmic structures are present
1:04

German spoken word dialogue with ambient outdoor field recordings, Two male voices and one female voice engage in casual conversation, The recording features significant wind noise hitting the microphone diaphragm, creating low-frequency rumble and distortion, Background elements include distant bird chirps and the subtle acoustic of an open outdoor space, The voices are unprocessed, captured with a mobile or field microphone, exhibiting natural proximity effect and varying levels of off-axis coloration
1:47

Field recording of a spoken word monologue over ambient city bus noise, A female voice speaks in a casual, conversational tone with a German accent, The background features the mechanical hum of a bus engine, the rhythmic hiss of pneumatic doors opening and closing, and the muffled sounds of traffic, The recording has a lo-fi, documentary quality with natural room reverb and occasional handling noise from the recording device, There are no musical instruments or melodic elements present
1:55

Field recording with spoken word narration, The audio consists of a male voice speaking in German, captured in a high-noise environment with significant mechanical vibration and background chatter, The recording features prominent low-frequency rumble and metallic rattling consistent with a moving train or bus, Ambient sounds include distant muffled conversations and the mechanical hiss of pneumatic doors, The vocal is dry, captured via a close-proximity mobile microphone, exhibiting slight clipping and wind noise, No musical instruments or rhythmic accompaniment are present, The tempo is dictated by the natural cadence of speech, approximately 110 words per minute
2:00

Field recording of a male voice speaking in German over ambient outdoor noise, The recording features a high noise floor with prominent wind interference hitting the microphone diaphragm, Distant traffic sounds, including the low-frequency rumble of passing cars and the hydraulic hiss of a bus, are audible in the background, The speaker's voice is captured with a close-mic proximity effect, though it is occasionally obscured by wind gusts, Footsteps on pavement and the rustle of clothing provide rhythmic foley elements, No musical instruments or melodic elements are present
1:59

Field recording with spoken word narration, The audio consists of a male voice speaking in German, captured via a mobile device or portable recorder in an outdoor environment, Ambient environmental sounds include the consistent low-frequency hum of wind hitting the microphone diaphragm, the high-frequency Doppler effect of cars passing by on a road, and the distant, high-pitched whine of a small aircraft engine, The speaker's voice is dry with minimal room reflection, occasionally interrupted by the mechanical clicking of a camera shutter, The recording ends with a brief, melodic vocalization in a playful, sing-song manner


