
Anger
kind of philosophical songs about anger, moral ambiguity, and managing emotion in general.
·
8 songs
4:22

Love and Light
v5.5
No-Wave Art Rock, Female Gang Vocals, Dry Bass Guitar, Floor Tom Pulse, Detuned Piano, Distorted Tambourine, Harmonic Feedback Swells, Saturated Room Mics, Angular Guitar Stabs, Tape Degradation, Uneasy Vocal Doubles, Group Shouts, Mono Verses, Exploding Stereo Choruses, Ritualistic Repetition, Anti-New-Age, Beautiful Threat
5:14

1960s noir torch ballad with ultra-smoky, intimate lead vocal, breathy close-mic delivery, sultry low-register phrases and slow vibrato, Thick tape saturation, warm tube preamp grit, and heavy plate reverb washing off the voice, Close three-part harmonies tucked low in the mix, answering lines like a ghostly choir, Upright bass and brushed drums staying minimal and spacious, vibraphone shimmer and muted jazz guitar fills weaving between vocal phrases, Late-night jazz club atmosphere with room ambience, soft clinking glasses, and low brass swells that bloom under sustained notes, Overall feel is slow-burning, confessional, and sensuous, with the vocal timbre as the smoky centerpiece
4:48

Righteous Heat
v5.5
Art rock, simmering but cool, Rhodes, percussive bass, heat in the form of reverb, artful fuzz
3:30

Seeing red
v5.5
Psychological Art Pop, Dark Indie Rock, Dry Intimate Vocals, Close-Miked Lead, Muted Kick and Snare, Sub-Bass Pulse, Prepared Piano Accents, Bowed Bass Drones, Sparse Electric Guitar Harmonics, Tape Flutter, Room Ambience Instead of Reverb, Incremental Layering, Negative Space, Low Dynamic Ceiling, Moral Unease, Spoken-Sung Verses, Slight Vocal Double on Chorus, No Big Cathartic Release, 88 BPM, Minor Key, Tension Maintained Throughout, Final Chorus Stripped Back to Voice and Bass Before Rebuilding, Post Punk, Dub Techno Bassline, Motorik Bass Pulse, Angular Guitar Stabs, Chorus Pedal Guitar, Dry Snare Crack, Tom Heavy Fills, Analog Synth Decay, Tape Saturation, Vinyl Crackle, Gated Room Reverb, Sidechain Pumping, 92 Bpm, Nocturnal Tension, Wry Detachment, Jagged Minimalism
3:52

Bad person
v5.5
Psychological Art Pop, Dark Indie Rock, Dry Intimate Vocals, Close-Miked Lead, Muted Kick and Snare, Sub-Bass Pulse, Prepared Piano Accents, Bowed Bass Drones, Sparse Electric Guitar Harmonics, Tape Flutter, Room Ambience Instead of Reverb, Incremental Layering, Negative Space, Low Dynamic Ceiling, Moral Unease, Spoken-Sung Verses, Slight Vocal Double on Chorus, No Big Cathartic Release, 88 BPM, Minor Key, Tension Maintained Throughout, Final Chorus Stripped Back to Voice and Bass Before Rebuilding, Post Punk, Dub Techno Bassline, Motorik Bass Pulse, Angular Guitar Stabs, Chorus Pedal Guitar, Dry Snare Crack, Tom Heavy Fills, Analog Synth Decay, Tape Saturation, Vinyl Crackle, Gated Room Reverb, Sidechain Pumping, 92 Bpm, Nocturnal Tension, Wry Detachment, Jagged Minimalism
3:59

Hot
v5.5
Dance-Punk, 145 BPM, Monotone Bass Ostinato, Palm-Muted Guitar Chops, Interlocking Percussion Patterns, Four-On-The-Floor Kick, Tight Closed Hi-Hats, Cowbell Accents, Dry Snare Crack, Gang Vocal Chorus, Multiple Voices Slightly Out Of Time, Shouted Crowd Responses, Overloaded Room Mics, PA Speaker Distortion, Bus Compression Pumping With The Kick, Saturated Drum Buss, Parallel Distortion On Bass, Guitar Amp Buzz Left Intact, Handheld Vocal Mic Handling Noise, Short Slapback Delay, Almost No Reverb, Cicada Ambience Buried In The Mix, Heat-Haze Synth Drone, Gradual Saturation Build Each Chorus, Drum Fills Rushing Ahead Of The Beat, Crowd Noise Emerging In Final Chorus, Claustrophobic Midrange, Little High-End Air, Physical Exhaustion, Irritability, Public-Space Tension, Collective Catharsis
2:54

Mad
v5.5
Furious Art Punk, Noise Rock, Garage Punk, Dance-Punk Momentum, Female-Fronted Snarl, Overdriven Bass Guitar, Distorted Rhythm Guitar, Blown-Out Drum Room, Aggressive Floor Toms, Crashing Ride Cymbal, Shouted Gang Vocals, Call-And-Response Hook, Clipped Vocal Peaks, Hot Tape Saturation, Overloaded Preamps, Feedback Swells, Guitar Amp Hum, Tight Eighth-Note Pulse, Relentless Forward Motion, Minimal Chord Changes, Noisy Breakdowns, Abrupt Stops, Mic Overload, Slamming Compression, Dry In-Your-Face Vocals, Controlled Chaos, Seething Resentment, White-Knuckle Energy, 168 BPM, No Catharsis, Just Escalation
3:24

User
v5.5
Sweltering Art Rock, Sun-Bleached Minimalism, Dusty Drum Room, Tape Compression, Warped Electric Piano, Detuned Wurlitzer, Tremolo Guitar Heat Haze, Cicada-Like Synth Drones, Saturated Room Mics, Slow Air Movement, Heavy Low-Mid Build-Up, Distorted Ceiling Fan Ambience, Vinyl Softening, Thermal Pitch Drift, Dry Percussion, Distant Thunder Rumble, Sticky Bass Groove, Humid Atmosphere, Miraged Harmonics, Long Afternoon Tension, Feral Summer Energy, Tape Running Hot, Subtle Wow And Flutter, Slow Low-Pass Filter Breathing, Mismatched Tremolo Rates, Sustained Note Pitch Drift, Heavily Compressed Room Mics, High-Frequency Cicada Textures, Thunderous Sub-Bass Undercurrents, Sparse Percussion With Wide Negative Space, Low-Mid Saturation Emphasis, Overheated Peak Clipping, Late-Dragging Instrument Entrances, Thick-Air Groove, Asphalt Shimmer, Heatstroke Dissociation, Atmospheric Pressure Build, Distant Storm Front, Sun-Warped Timing, Overloaded Analog Circuits, Slow-Blooming Distortion
