@dougmeet 1st 20k Suno Published User

A few pages in Chapter VI (Vowels) contain characters that will only display correctly in unicode (utf-8): ā, a̤, Ē, ē, Ō, ō (“long” vowels) ă, ĕ, ĭ, o͡o (“short” vowels) The “flat” symbol ♭ is also used a few times, Sharps are shown with the “number” sign # instead of the less widely available ♯, 7 CHAPTER I, Physiology of the Voice, 13 CHAPTER II, Registers of the Voice, 25 CHAPTER III, How To Secure Good Tone, 44 CHAPTER IV, Compass of the Child-Voice, 72 CHAPTER V, Position, Breathing, Attack, Tone-Formation, 81 CHAPTER VI, Vowels, Consonants, Articulation, 95 12 CHAPTER VII, Mutation of the Voice, 112 CHAPTER VIII, The Alto Voice in Male Choirs, 125 CHAPTER IX, General Remarks, 132 13 If any of these characters do not display properly—in particular, if the diacritic does not appear directly above the letter—or if the quotation marks in this paragraph appear as garbage, make sure your browser’s “character set” or “file encoding”

Experimental percussion, woodblock, mallet, China boy, gong, cowbell, marimba, guitarist sounds dissonant, use 12sus 6, time 7/12, rif, deep voice

Dumble Super-Overdrive - 100 watt amp Into Neve Preamp EQ] [ↀ buccal airstream, Œ œsophageal airstream, ↓ pulmonic ingressive speech, Ю tracheo-œsophageal]:”whispery” [V creaky voice]:”la la la la — la la la la la la past the Christmas Story Leg Lamp and light pole where Ralphie got his tongue freeze and ya glimmer to combat underlying connection being flipped off On Christmas [compression, neo-honky-tonk James Burton Chicken Picking, Bakersfield baritone guitar, Jimmy Page Telecaster into Dumble Super-Overdrive - 100 watt amp Into Neve Preamp EQ] [ↀ buccal airstream, Œ œsophageal airstream, ↓ pulmonic ingressive speech, Ю tracheo-œsophageal, V modal voice, F falsetto]:”driveby trucker greatest virtue after sneezing no one to god bless you” [compression, neo-honky-tonk James Burton Chicken Picking, Bakersfield baritone guitar, Jimmy Page Telecaster into Dumble Super-Overdrive - 100 watt amp Into Neve Preamp EQ] [ↀ Ю tracheo-œsophageal, C creak

layered-vocal-chorale-harmonies-4ths-and-5ths]:“Shoo-way shoo-way Shoo-way, shoo-way Shoo-way shoo-way Shoo-way shoo-wayway Shoo-way, shoo-way Shoo-way shoo-way Shoo-way shoo-wayhoo-way Shoo-way, shoo-way Shoo-wayway shoo-way Shoo-way shoo-wayway Shoo-way, shoo-way Shoo-way shoo-way Shoo-way shoo-wayhoo-way Shoo-way, shoo-way shoo” in Control Room: 15, 5′ X 23′, Iso Rooms: 9, 5′ X 8, 5′ And 8, 5′ X 7, 5′, Console: Neve-8038 with 38-Channels and 16-Busses with 24-Flying-Faders-Automation, Mic-Pre-Amps: Neve-1081 and Telefunken-V76 and Telefunken-V72 and Altec-1567A and Five-Channel-Tube-Mixer with Custom-Racked John Hardy and Grace Design M501, Guitar-stack: 6-Stringed Strummer Carrying Guitar In Decorated Case because Band Is Looking For New Guitar-Player with Axe and Gat or any Stringed-Instrument either Acoustic-Guitar or Electric-Guitar — even Air-Guitar but she has Armónico-Guitar and a Banjitar which she uses a variety-of-tunings and she plays stringed-bass with fretboard/bass and up

A hard rock foundation drives the song, A, I, Neve 1073 preamplifier, Stratocaster through Dumble direct-in 1073 Neve preAmp, 24-bit Fender Rhodes electric piano harmonizer eight cents sharp, delay - chorus compression, neo-honky-tonk, James Burton Chicken Picking Bakersfield, baritone guitar, ELECTROVOICE RE20 VARIABLE - D AMPLITUDE · +10 4110 5, 30 AMPLITUDE +10 ~ 10 20 50 100 200, FIGURE 5, 28 ~ 10 20 50 100 200 1000 5, 000 19, 000 20000 FREQUENCY Dynamic, 10 0 -10 -20 20 50 100 200 500 1k 2k 5k 10k 20kHz, Neumann U 47 and U 67, Jaco Pastorius, Jazz Vocalization imitating walking Bass, Electro-Harmonix Micro Synth, Moollon Tremolo, D’Addario custom strings set:, 011, 014, 019 (unwound), 030, 039, 049, 16- to 24-bit Fender Rhodes electric piano harmonizer eight cents sharp, guitar played with tone knob rolled off using thumb, GIBSON L-5 CES EB f-holes - Wes L-5 one pickup upside-down]:”Thesaurus horror terror error the herd pier mirror horrors pier mirrors terrors the crowd

first chord is tonic - second is minor submediant, spider chord fingering allows access to major seventh chord, third is spider chord - requires player use all four fingers of fretting hand, run neck playing two chords - 1-5-1 root note - note a fifth above root and note octave above root - strings a fourth apart - lower four strings in standard tuning — lowest note played with fret on string and higher two notes are two frets higher on next two strings, notes on the first or second string must be played one fret higher, bare fifth without octave, doubling highest of three strings not played fifth with bass note on second string - same fingering as fifth or sixth string - inverted barre fifth is barre fourth played with one finger, riff in (Smoke on the Water), (Boom) (Boom), Dumble

thumbpick flatpicking, pedal steel swells, tack piano honk, upright bass walk, brush snare kit, Neve 8038 warmth, plate reverb, tape saturation, 92 BPM two-step, swung shuffle feel, sparse room mics, parallel compression, mono center vocal, wistful romance, late night intimacy neo-honky-tonk, Bakersfield twang, chicken-picking telecaster, thumbpick flatpicking, pedal steel swells, tack piano honk, upright bass walk, brush snare kit, Neve 8038 warmth, plate reverb, tape saturation, 92 BPM two-step, swung shuffle feel, wistful romance, late-night intimacy pedal steel bends, tack piano honk, upright bass walk, brush snare kit, Neve 8038 warmth, plate reverb, tape saturation, parallel compression, sparse room mics, late night intimacy, wistful romance, call and response, dynamic breakdown

Neve console saturation, plate reverb, spring reverb, call and response, downbeat lyric hits, swaggering groove, bittersweet twang

garage rock Intro distorted electric guitar riff, dry drums, overdriven bass snare hit 124 BPM, distorted electric guitar, blues riff double stops, power chord stabs, gritty electric bass overdrive, dry punchy snare, loose hi-hat accents, live room drums, syncopated backbeat, mono drum crush, analog console drive, moderate room reverb, raw room bleed, late night DJ delivery, raspy shouted vocals, bittersweet goodbye, regular Tuesday