
Ina Vol.1
You found it! Original. Six main voices, mixed genres, one heart. Proud to share their songs with you. Thankyou!
·
22 songs
3:31

Fast J-Rock-Electronic, dark heavy bass, alternative rock, vocaloid-inspired, off beat rhytm, synthesizer accent, explosive chorus, chaotic energy, edgy, manic, theatrical vocal shifts, math rock drums, [Vocal] Edgy, Rebellious Solo female vocalist, powerhouse vocals, raspy vocals, vocal fry, aggressive belting, theatrical vocals, emotional delivery, dynamic vocal range, growling, expressive, edgy female vocals, manic, ‑synthized voice, ‑synthized vocals
3:15

Fast paced J-rock and electronic fusion track Intricate Math rock acoustic guitar arpeggios intertwine with shimmering synth layers, Driven by dark, heavy basslines and rapid, punchy drum patterns, creating a manic yet nostalgic atmosphere, Indonesian female vocals shift dynamically from delicate, vulnerable tones to aggressive belting and rhythmic rap-like phrasing, all delivered with theatrical emotion and polished studio clarity
3:32

Math Rock fused with J-Pop, clean fingerpicked electric guitar melodies, slap bass, acoustic drum kit with complex patterns, 140 BPM, A minor key, female vocal with raw emotional delivery and powerful belting, dynamic shifts from intimate whispers, theatrical delivery, layered melodies, clean studio production, wide stereo field, uplifting yet anxious mood
2:32

[Style] Nightcore, Electronic-Orchestra, Vocaloid-inspired, [Instrument] intense synth, sudden orchestral stabs and a relentless, off-beat rhythm, Hi-fi production enhances the contrast between sweet, high-pitched synth lines and darker, distorted bass elements, creating a sense of unease, [Vocal] Dark cute female vocals, vocaloid style, synthized voice, rhythmic breathy vocals, "rap-talk", fast paced 180 bpm
4:14

Dangdut koplo fusion J-Pop, world music, female vocal dominant, Upbeat and rhythmic
Bright gamelan metallophone groove, syncopated kendang drum patterns, lush J-Pop synthesizer chords, tight electric guitar riffs, melodic and punchy synth bass, Contrast between traditional dangdut koplo rhythmic sections and polished, anthemic J-Pop choruses, Vocal style: Solo female, sinden, piercing high tessitura, bright nasal resonance, heavy melisma with microtonal trills and gregel ornamentation, ethereal head voice, soaring melodies, layered harmonies, call-and-response with adlibs layered harmonies, 138 BPM, dense and vibrant production, crisp modern pop mix with traditional textures, ‑edm, ‑rock, ‑orchestra
2:31

Nightcore-Vocaloid, Electronic-Jazzy, Upbeat, playful, energetic, and theatrical mood with a mischievous edge, Instrumentation features driving acoustic piano chords, bright horn lead, a fast-paced walking bassline, and punchy synthizer chops, The vocals are a dynamic, highly expressive female lead with a theatrical, storytelling delivery, Include an extreme dynamic range, crisp rhythmic agility, staccato precision, and occasional vocal fry or raspy growls for a rebellious attitude, 180 BPM
3:20

Anisong Rock, Math Rock-inspired, manic yet vulnerable mood, clean glassy electric guitar, fluid fretless bass, chaotic modular synth, complex odd time signatures, Solo female vocals, raspy, vocal fry, aggressive belting, theatrical delivery, 152 BPM, G# Minor, Texture: technical, sudden dynamic shifts, instrument exchange, rhthymic break, stabs, chops, instrument fill, 1-2 instruments only, sparse instruments, band drop out, A cappella, cresendo, stacked harmonies, layered vocal, anthemic, off-beat rhyhtm
Mix: Clean mixing, Studio Recorded, ‑stutter fx, ‑glitch fx, ‑synthized voice, ‑synthized vocals, ‑jazz
3:59

Genre: Alternative Rock, Ambient Post-Rock, Math Rock, Mood: Melancholic, fragile, yet resolute, Instrument: Echoing clean electric guitar, wandering fluid fretless bass, somber soft piano, atmospheric ambient pad, Vocal: Intimate, vulnerable, yet unyielding, close-mic whisper, spoken-word phrasing, heavy vocal fry, breathless, 76 BPM (Half-time of 152 BPM), G# Minor, Texture: Half-time feel, heavy reverb, tape delay, polyrhythmic arpeggios, soft attack, legato slides, volume swells, syncopated ghost notes, rubato, sparse arrangement, cinematic crescendo, sudden silence, ‑stutter fx, ‑glitch fx, ‑scream, ‑growl
4:44

Pulang // 帰る場所
v5.5
Genre: J-Pop, Acoustic Folk-Pop, Orchestral Indie, Nostalgic Ballad
Mood: Warm, Wistful — yet Uplifting
Instruments:
Acoustic guitar — fingerpicked, intimate, warm cedar-bodied resonance
Strings (violin + cello ensemble) — sweeping, legato, emotionally swelling texture
Electric bass — grounded, subtle, walking low-mid pulse
Piano — sparse, crystalline, supportive comping with occasional melodic fills
Vocal: Tender, Emotive, Pure — chest-to-head mix transition, emotive phrase breathing, 90 BPM, G Major KEY
Texture: Clean mixing, Studio production, fingerpicking, arpeggiated chords, legato strings, pizzicato accents, soft pedal sustain, dynamic swell, brush drumming, counter-melody, call-and-response, harmonic layering, gradual crescendo, ‑scream, ‑screaming, ‑shout, ‑vocal distortion, ‑rasp, ‑growl, ‑jazz
4:01

4:01

Genre: Industrial Darkwave, Ritual Ambient Electronic, Drone, Mood: Claustrophobic, Cold, yet Hypnotic, Instrument: Sub-sonic Bass, Granular Synthesizers, Distorted Tape Loops, Bowed Cymbals, Vocal: Deadpan, Monotone-spoken, Heavily-Vocoded, Sudden-glitch, Close-mic ASMR, Artificial-choir, 60 BPM, C# Minor, Lo-Fi / Degraded Audio, Instrument Technique: Granular-synthesis, Tape-saturation, Bit-crushing, Sub-frequency-oscillation, Binaural-panning, Atonal-drones, Gated-reverb, Algorithmic-stutter, White-noise-bursts, Micro-looping, Pitch-shifting, Sidechain-compression, ambient and drone heavy, ‑metal, ‑scream, ‑growl, ‑vocal fry, ‑stutter fx, ‑glitch fx, ‑mictrotrill, ‑driving groove
3:44

Dark Underground Club, OPM Electronic, sensual, tense, hard club beat, dark synth lines, heavy sub bass, 132 BPM, F Harmonic Minor, medium-low natural female vocals, emotional and flirty delivery, studio production, ‑glitch fx, ‑stutter fx
2:53

Fast paced J-rock/math rock fusion inspired by Poliphia, driven by intricate clean acoustic guitar riffs layered with tight progressive electric guitar leads, syncopated bass, and punchy, complex drum patterns, Vocaloid-inspired, Cinematic tension builds through dynamic transitions, [Vocals] expressive solo female singer, vocals shift between powerful belts and playful phrasing, creating an upbeat yet suspenseful atmosphere with dramatic rises and explosive choruses, 180 BPM, ‑synthized voice, ‑synthized vocals
3:07

まだいたの?
v5.5
Rock-Punk, Mathrock-inspired, Metal-influence, Mocking, Aggressive, Vulnerable, Twisted Clean Electric Guitar, Pummeling Bass Guitar, Explosive Snare Drum, Chaotic Crash Cymbal, Sarcastic Female Vocal, Sarcastic, Harsh, Intimate, Sneering delivery, Spoken word attack, Nasal, Biting, 128 BPM, E minor, Tapping, Odd time signatures, Polyrhythms, Staccato riffing, Stop-start dynamics, Syncopation, Angular melody, Trills, Open tunings, Two-hand tapping, Arpeggiated riffs, Palm mute, Tremolo picking, ‑scream, ‑stutter fx, ‑glitch fx
3:19

A surreal fusion of doom metal and Caribbean calypso, driven by extremely slow, down-tuned electric guitars layered with bright, melodic steel pan lines and rhythmic ukulele strums, Massive crash cymbals punctuate the dragging tempo while contrasting sunny tropical textures, Vocals feature a dark-cute, yandere-style female voice with vocaloid processing, shifting between eerie melodic lines and rhythmic rap-talk delivery, The production is clean and polished, balancing heavy low-end weight with crisp, colorful high-frequency percussion, creating a confusingly uplifting yet oppressive atmosphere
3:45

Brasshouse, Jungle, Dance
Urgent, Playful, yet Aggresive, Instrument: Baritone Saxophone (Gritty, Overdriven, main groove, thick, raspy, and rhythmic), Trumpet (Piercing and bright, rapid-fire, staccato phrases, low-end soaring melodies, aggresive stabs), Kick Drum/Snare/Cowbell (Percussive, Tight and "slappy"): Relentless and driving, crisp, rhythmic snap, not sub-bass, Female Vocal, Monotone delivery, 130-140 BPM, C Minor, Production: Hi-fi fidelity
Texture: Smear, Circular breathing, Lip slurs, Growling, Overblowing, Glissando, Syncopation, Rimshots, Multiphonics, Brass Shakes, Polyrhythm, Key Slaps, Dirty articulation, Overblown, 3 Instrumental Only, ‑House, ‑Traditional Drum Kit, ‑Piano, ‑Slap Bass, ‑Guitar Bass, ‑Subwoofer Bass, ‑Piano
3:18

Workforce // 労働力
v5.5
J-Rock, Alternative Rock/Anime-OP fusion, Frantic yet Triumphant mood, Distorted Guitars, Punchy Bass, Fast Drums, Solo female vocals: Edgy, Powerful, Theatrical, 175 BPM in C# Minor, Power-chords, Octave-riffs, Palm-muting, Fast-fills, Melodic-basslines, Wall-of-sound, Dynamic-shifts, ‑growl, ‑jazz, ‑reggae, ‑stutter fx, ‑glitch fx
3:47

Rock, Progressive Rock, Fusion Electronic, Mood: Epic, Complex, yet Sparse, Instrument: Distorted Guitar (harmonic, polyphonic), Moog Synth (modulating, lead), Fretless Bass (melodic, smooth), Timpani (orchestral, booming), Vocal: Theatrical, Clear, Expansive, with operatic leaps and spoken word, BPM and Key: 122 BPM, C Major, Instrument technique and song texture: odd-time, polyrhythmic, layered, symphonic, ambient, shifting, dynamic, crescendo, atmospheric, arpeggiated, ‑scream, ‑growl, ‑metalcore, ‑glitch fx, ‑stutter fx
3:03

J-Rock with heavy punk and metal influences, Distorted electric guitars play fast, palm-muted power chords and syncopated riffs, The bass guitar follows the kick drum with a gritty, overdriven tone, Drums feature rapid double-kick patterns, aggressive snare hits, and frequent crash cymbal accents, High-energy male vocals alternate between melodic singing and shouted delivery, A prominent synthesizer lead plays a staccato, high-pitched melody during the intro and bridge, The tempo is 185 BPM in 4/4 time, likely in the key of G minor
3:32

Mathrock-inspired, Ska Fusion, Dangdut, Upbeat and Rebellious yet Celebratory mood, Electric Guitar Mathrock, clean-bright slap Bass with Ska groove, fast kendang ska-patterns, stuble Drum Kit, bright Trumpet, Vocal: Youthful, Playful, Sassy, BPM: 138, A Major KEY
Production: Live Energy, Raw Mixing, Texture: complex guitar tapping, odd-time riffs, off-beat, staccato horn stabs, walking, bouncy, prominent, melodic, kendang rolls, energetic fills, syncopation, crowd, call-and-response, drum fills, bass slaps, trumpet blasts, vocal harmonies, crowd chant, ‑jazz, ‑piano, ‑scream, ‑growl, ‑metal, ‑screaming
3:21

Nu-Jazz, Progressive Fusion, Heroic yet Whimsical, Dominant prepared piano, mellow sustained vibraphone, smooth gliding fretless electric bass, Indonesian Solo female vocal clear, breathy, emotive with theatrical delivery, 132 BPM, D Minor, Hi-fi production, intricate rhythms, experimental texture, ‑glitch fx, ‑stutter fx, ‑synthetizer, ‑guitar
4:21

Jarak Satu Darah
v5.5
Neoclassical, Slow Rock fusion, apocalyptic and exposed mood, brittle harpsichord melodies, aggressive gritty string quartet arrangements, down-tuned molten bass riffs, Vocal: Female solo vocals, Sinden vocal delivery, piercing high tessitura, bright nasal resonance, ethereal head voice, heavy melisma, microtonal trills, gregel ornamentation, soaring vocal melodies, floating vocal phrasing, unmetered vocal intro, rubato delivery, haunting traditional singing, 132 BPM, Texture: dense production, lo-fi vintage texture, heavy reverb on harpsichord, instrument melody responses hook, contrasting delicate baroque passages with crushing doom sections, layered backing vocals, ‑scream, ‑screaming, ‑shout, ‑vocal distortion, ‑rasp, ‑growl





