1:26

rap, country, magical, hip-hop, comedic, upbeat with bouncy basslines and quirky synth leads, world
2:14

sample-heavy with funky basslines and jazzy horns, comedic, world, rap
1:05

funky, rap, male vocals, heavy bassline with playful synths and crisp percussion
1:54

Sidekick with a Stiff Dilemma
v4.5-all
rap, funky, and playful brass stabs for comedic flair, bass-heavy with sharp snare hits
2:07

Safety Patrol
v4.5-all
hard-hitting, percussive; heavy basslines and metallic clinks, commanding tone, industrial, evoking the sounds of a construction site; male vocals with a confident, rap
3:14

1:39

2:05

Clocking In Late Again
v4.5-all
hip-hop, bass-heavy with jazzy undertones, rap, syncopated drum patterns, and layered vocal ad-libs
1:12

3:09

country, electric twang, heavy drum shuffle, rock, r&b, soulful backing vocals, groovy bassline
3:14

Rowdy Irish-pub anthem with male vocals, big gang shouts, and stomping floor toms, Acoustic guitar drives the rhythm with chunky strums, fiddle doubling the main melody, Verses stay tight and chant-like; chorus explodes with call-and-response and handclaps, Occasional tin whistle fills the gaps, final chorus goes double-time with rowdy crowd vocals
4:08

Bell Not México
v5.5
Mariachi-metal with galloping double-time verses, muted palm‑pick guitars under trumpet blasts, and a stomp-clap groove that slams into a half-time chorus; verse rides gritty lead vocal with tight gang doubles, pre-chorus lifts on shouted harmonies and rapid snare rolls, chorus opens wide with stacked chants and brass hits, Use whistle-like guitar squeals, reverse cymbal swells, and a short accordion lick into the final drop, Bright, heavy, and tongue-in-cheek, with a polished stadium punch, mariachi, metal
2:56

metal, German industrial metal, male vocals, Drop-tuned chugging guitars lock to a stomping, mid-tempo groove; roomy, machine-like drums; bass grinds beneath, Verses tight and staccato, barked vocal delivery, Chorus widens with gang shouts on the hook and a simple, shoutable melody, Brief half-time breakdown before the final chorus, with guitars palm-muted then exploding back in, clean, german metal
