4:03

3:20

Tear Me Apart
Custom
dark country rock, gritty raspy male vocals, emotional post-grunge, cinematic blues, heavy acoustic guitar, distorted slide guitar, slow heavy dramatic beat, melancholic, painful vibe
3:22

Jeannie
Custom
Bluegrass-rock fusion featuring a prominent five-string banjo playing rapid Scruggs-style rolls and a distorted electric guitar performing blues-influenced lead lines, The arrangement includes an upright bass playing a steady two-beat pattern and a drum kit with a heavy backbeat on the snare, Male vocals are delivered in a gritty, rock-influenced baritone with occasional group harmonies, The tempo is a driving 115 BPM in 4/4 time, The electric guitar uses a mid-gain overdrive, while the banjo remains clean and bright, The structure alternates between vocal sections and instrumental solos where the banjo and electric guitar trade melodic phrases
3:04

I Need a Maid
Custom
slow pop rock, catchy hook, baritone male vocalist, 12 string guitar, cowbell
4:24

Oh Susanna (1848)
Custom
Bluegrass-rock fusion featuring a prominent five-string banjo playing rapid Scruggs-style rolls and a distorted electric guitar performing blues-influenced lead lines, The arrangement includes an upright bass playing a steady two-beat pattern and a drum kit with a heavy backbeat on the snare, Male vocals are delivered in a gritty, rock-influenced baritone with occasional group harmonies, The tempo is a driving 115 BPM in 4/4 time, The electric guitar uses a mid-gain overdrive, while the banjo remains clean and bright, The structure alternates between vocal sections and instrumental solos where the banjo and electric guitar trade melodic phrases
3:14

up-tempo, country rock in G Major, 140BPM, up-tempo, minor chords, acoustic guitars, electric guitars
4:07

heartland rock, Americana, gritty electric guitar, raspy male vocal, driving rhythm section, roots rock, working class storytelling, 1980s rock, raw and organic production, emotional and direct mid-tempo, ‑finger snaps, ‑claps
3:27

3:54

Not Cool Anymore (bg)
Custom
Bluegrass-rock fusion featuring a prominent five-string banjo playing rapid Scruggs-style rolls and a distorted electric guitar performing blues-influenced lead lines, The arrangement includes an upright bass playing a steady two-beat pattern and a drum kit with a heavy backbeat on the snare, Male vocals are delivered in a gritty, rock-influenced baritone with occasional group harmonies, The tempo is a driving 80 BPM in 4/4 time, The electric guitar uses a mid-gain overdrive, while the banjo remains clean and bright, The structure alternates between vocal sections and instrumental solos where the banjo and electric guitar trade melodic phrases
4:09

Ride On Red
v5.5
dark country rock, gritty raspy male vocals, emotional post-grunge, cinematic blues, heavy acoustic guitar, distorted slide guitar, slow heavy dramatic beat, melancholic, painful vibe
3:49

Bluegrass-rock fusion featuring a prominent five-string banjo playing rapid Scruggs-style rolls and a distorted electric guitar performing blues-influenced lead lines, The arrangement includes an upright bass playing a steady two-beat pattern and a drum kit with a heavy backbeat on the snare, Male vocals are delivered in a gritty, rock-influenced baritone with occasional group harmonies, The tempo is a driving 80 BPM in 4/4 time, The electric guitar uses a mid-gain overdrive, while the banjo remains clean and bright, The structure alternates between vocal sections and instrumental solos where the banjo and electric guitar trade melodic phrases
3:25

Good Day For A Change
Custom
Bluegrass-rock fusion featuring a prominent five-string banjo playing rapid Scruggs-style rolls and a distorted electric guitar performing blues-influenced lead lines, The arrangement includes an upright bass playing a steady two-beat pattern and a drum kit with a heavy backbeat on the snare, Male vocals are delivered in a gritty, rock-influenced baritone with occasional group harmonies, The tempo is a driving 115 BPM in 4/4 time, The electric guitar uses a mid-gain overdrive, while the banjo remains clean and bright, The structure alternates between vocal sections and instrumental solos where the banjo and electric guitar trade melodic phrases
3:42

3:34

[Is_MAX_MODE: MAX](MAX)
[QUALITY: MAX](MAX)
[REALISM: MAX](MAX)
[REAL_INSTRUMENTS: MAX](MAX)
5:25

4:28

Broken Wings
v5.5
Very low male baritone voice, Dark, intimate, restrained emotional delivery, No shouting, No explosive dynamics, The voice must sound tired, wounded, introspective and human, Only acoustic piano, No drums, No percussion, No bass, No orchestra, No pads, No guitar, No rhythmic accompaniment, Slow free tempo with deep pauses and natural rubato, Minimal cinematic piano in low register, Atmosphere nocturnal, melancholic, spiritual, reflective, The song must feel like a lonely confession at night, Emotional progression subtle and gradual, never theatrical
3:24

4:34

concept: 'A luminous, heavenly song where romantic love and spiritual faith meet above the city lights; intimate yet vast, reverent without sounding preachy, with Violet Hart sounding tender, awed, and emotionally transformed'
genre: 'heavenly alt-pop, cinematic choral pop, spiritual ballad'
instruments: 'piano, ambient synths, soft strings, warm sub bass, deep reverberant drums, layered choir, ebow guitar, distant bell textures'
style tags: 'heavenly, choral, love and faith, tender female vocal, slow and reverent, luminous, sacred atmosphere, intimate but vast, emotionally uplifting, graceful'
recording: 'crystal-clear lead vocal, cathedral-style reverb, layered choir production, soft cinematic depth, airy top end, restrained elegant master'
2:29

4:05

dreamy pop Pop, Country, Country Pop, Synth-pop, Indie Folk inspired mid-tempo ethereal smooth soft female vocals shimmering synths anthemic chorus whimsical glittery production
2:27

classical, virtuosic, grand piano, film score, grand piano solo
3:55

Soulful 1970s ballad style with a truly gritty, raspy emotional vocal, reminiscent of classic roots-rock and gospel-tinged blues singers, Slow, powerful, spastic delivery with deep expression by a singer who manifests their vocals with seemingly involuntary body movements, Backed by warm analog instruments: Fender Rhodes electric piano, smooth Hammond organ chords, light gospel-style background vocals, live acoustic drums with a natural roomy sound, tasteful electric guitar licks with soft tremolo, Slightly raspy, heartfelt lead vocal filled with emotion, Touch of vintage reverb to create a big, atmospheric feel, Emotional, hopeful, bittersweet mood
2:53

Style :
French post-punk / indie rock, cold and minimal, raw but controlled, slightly dirty guitar tone
Mood :
detached, sarcastic, critical, mentally saturated, restrained tension, subtle frustration
Instrumentation :
dry electric guitars, minimal bassline, tight drums, occasional distortion, sparse arrangement, no lush elements
Vocal style :
male voice, semi-spoken, deadpan delivery, slightly ironic, calm but firm, very controlled emotion, almost monotone in verses, slightly more intensity in chorus but never shouting
Structure :
intro minimal → verses spoken and steady → chorus slightly more intense but still restrained → bridge more intimate and reflective → final chorus heavier tone → outro quiet and unsettling
Special instructions :
keep everything minimal and tight
avoid melodic excess or emotional overacting
emphasize lyrical clarity and articulation
create contrast through subtle intensity, not volume
maintain a cold, almost indifferent tone
slight raw imperfection
2:49

Style :
French post-punk / indie rock, cold and minimal, raw but controlled, slightly dirty guitar tone
Mood :
detached, sarcastic, critical, mentally saturated, restrained tension, subtle frustration
Instrumentation :
dry electric guitars, minimal bassline, tight drums, occasional distortion, sparse arrangement, no lush elements
Vocal style :
male voice, semi-spoken, deadpan delivery, slightly ironic, calm but firm, very controlled emotion, almost monotone in verses, slightly more intensity in chorus but never shouting
Structure :
intro minimal → verses spoken and steady → chorus slightly more intense but still restrained → bridge more intimate and reflective → final chorus heavier tone → outro quiet and unsettling
Special instructions :
keep everything minimal and tight
avoid melodic excess or emotional overacting
emphasize lyrical clarity and articulation
create contrast through subtle intensity, not volume
maintain a cold, almost indifferent tone
slight raw imperfection
2:39

The Stars My Destination
Custom
A cinematic, emotional piano‑driven instrumental inspired by Paul Cardall’s “Pioneer Orphans, ” Soft, heartfelt piano motifs with spacious reverb, gentle string swells, and a slow, reflective build, Warm, intimate atmosphere, minimalistic but deeply expressive, Subtle orchestral textures, light ambient pads, and a tender, nostalgic tone, Emphasis on purity, simplicity, and emotional storytelling through melody, Peaceful, uplifting, and quietly heroic
2:17

Art rock, warm organic indie, interlocking clean electric guitars, driving syncopated drum grooves, dry snare, lush reverb, intimate breathy male vocals, falsetto, intricate basslines, dreamy and colorful, 100-150 BPM"
2, Custom Lyrics Layout
Use these specific section markers to get those signature Radiohead transitions:
[Intro]: (Rapid, clean arpeggiated guitars, light shakers)
[Verse]: (Taut bassline, hushed breathy vocals, minimalist dry drums)
[Chorus]: (Swelling reverb, layered vocal harmonies, soaring falsetto)
[Bridge]: (Build tension, syncopated rhythms, driving guitar riffs)
[Outro]: (Abrupt cut or decaying reverb, soft humming)
3, Pro-Tips for the "In Rainbows" Sound
The "Pocket": Use "syncopated" or "polyrhythmic" in your prompt, Philip Selway’s drumming on this album is incredibly precise; avoid "heavy" or "distorted" drums, Vocal Texture: Add (intimate, close-mic) or (ghostly harmonies) to your lyrics, The "Crescendo": If you want an "All I Need" style ending, big finish










