[Negative prompt: music box, bells, glockenspiel, chiptune, bright, piano, synth, high-pitched, clean] Style: Acoustic roots reggae, 80 BPM, sharp percussive acoustic guitar hits on the offbeat, rhythmic syncopated chords, deep unplugged upright bass, solo wooden box percussion, no drums, raw human voice, intimate room acoustics, woody and earth-toned, no music box, no high-pitched sounds] [Intro] [Minimalist dry wooden box beat starts steady] [Deep unplugged upright bass enters] [Acoustic guitar joins on the offbeat] [Verse 1] [Am] Que c’est [G] triste [Am] en deux mille vingt-[G] six [Am] Je vois de [G] l’or [Am] dans les yeux des [G] gens [Verse 2] [Am] mais rien [G] ne brille [Am] vrai-ment [G] [Am] je sif-fle [G] seul [Am] en-core [G] [Chorus] [Am] Que c’est [G] triste, triste [Am] en deux mille vingt-[G] six [Am] je sif-fle, [G] je résiste [Am] dans le vide qui [G] glisse [Bridge] [Whistling melody: natural human whistle, intimate, reverb-free] [Only wooden box beat and deep upright bass] [Chorus] [Am] Que c’est [G] triste, triste [Am] en deux mille vingt-[G] six [Am] je sif-fle, [G] j’existe [Am] même quand tout s’efface [G] vite [Outro] [Am] Que c’est [G] triste [Am] en deux mille vingt-[G] six [Whistling melody fades out slowly] [Wooden box beat stops on the last note]
