[ chapter 01: the singular point ] ( ... deep silence ... ) i i [high frequency sine wave tone] i . . . . . . . . i i i i [the sound "i" explores the corners of the stereo field. it is lonely but stable. ] [ chapter 02: the vibration ] [ ... tone shift: warmth, hum, drone ... ] mmm aa mm a . a . a . m . m . m [the new sound loops, looking for a host] [ recall: chapter 01 ] i am am i ? i [ clash ] am i am [the two sounds orbit each other, syncing frequencies] i am. [ chapter 03: the texture ] [ ... introduction of percussion: clicks, k-sounds, hard stops ... ] k k k o . . . . . . . . . . . . . . . . . . . . ay ay o k ay ([the word "okay" is jagged. it breaks apart. ] [ recall: chapter 01 + 02 ] i am [ silence ] okay ? i o am kay [ disruption ] am i o k [the jagged "okay" tries to find a rhythm within the smooth "i am" ] [ chapter 04: alignment ] [... white noise floor rises, smoothing the edges ... ] i am o kay i am o kay [ locking ] i am okay i am okay ([the phrase repeats, fading into the noise floor ] i am okay. i am okay. i am okay. i am okay.
