soSUBLIME.

[116 BPM], [Heavy Psychedelic Shoegaze], [Sleazy Noise-Pop], [Woozy Cassette Production], [Minor-Key Verse Vamp], [Unresolved Suspended Chorus Chords], [Repeating Fuzz-Bass Hook], [Slides And Deliberate Rests], [Dry Kick], [Heavy Snare], [Sparse Closed Hats], [Slow Hip-Sway], [Firm Driving Pulse], [Thick Low-Mid Guitar Fuzz], [Sustained Bent Notes], [Reverse-Reverb Swells], [Feedback Into Organ], [Close Fully Sung Male Lead], [Languid Intimate Slightly Insolent], [Low-Effort Delivery], [Prominent Varispeed], [Pitch And Formants Rising Together], [Bright Grainy Tone], [Softened Consonants], [Stretched Vowels], [Dirty Unison Doubles], [Short Tape Echo], [Sing Behind The Beat], [Cassette Compression], [Gentle Pitch Drift], [Worn Treble], [Bass-Led Bridge], [Engulfing Fuzz Final Chorus] [Verse 1] [Close varispeed singing; languid melodic phrases behind the beat; fuzz-bass strut, sparse drums] you kiss me like we're being watched there's no one in the room i like the way you take your time then say you're leaving soon you say you hate attention with your fingers in my hair i used to leave before i cared now i pretend i'm going somewhere [Pre-Chorus] [Hold the melody low; lengthen vowels; guitar pressure builds beneath restrained singing] you don't have to promise you don't have to lie just don't call it nothing with your hand against my thigh [Chorus] [Heavy wide fuzz; intimate sung hook; slide into "sublime" and sustain; dirty doubles, no belting] so sublime i get a little less polite when you say mine like you could mean it in daylight so sublime your mouth is making up my mind if this is nothing why's it taking all my time? [Post-Chorus] [Soft overlapping sung answers; saturated tape echo; leave space between phrases] all my time all my time so, so sublime [Verse 2] [Close varispeed singing; languid melodic phrases behind the beat; fuzz-bass strut, sparse drums] your friends all know my face they never get my name you introduce me as a friend i help you sell the claim i kiss you in the hallway where nobody can see i thought i liked the danger i liked you choosing me [Pre-Chorus] [Hold the melody low; lengthen vowels; guitar pressure builds beneath restrained singing] you don't have to promise you don't have to lie just don't call it nothing with your hand against my thigh [Chorus] [Heavy wide fuzz; intimate sung hook; slide into "sublime" and sustain; dirty doubles, no belting] so sublime i get a little less polite when you say mine like you could mean it in daylight so sublime your mouth is making up my mind if this is nothing why's it taking all my time? [Post-Chorus] [Soft overlapping sung answers; saturated tape echo; leave space between phrases] all my time all my time so, so sublime [Bridge] [Exposed grainy singing over bass and kick; slow feedback swell] i don't need forever i can stand a little doubt i just want to be someone you don't have to leave out look at me take your time i can take an answer i keep making up mine [Final Chorus] [Deepest guitar saturation; restrained lead surrounded by hazy harmonies] so sublime i get a little less polite when you say mine like you could mean it in daylight so sublime your mouth is making up my mind if this is nothing why's it taking all my time? [Outro] [Drawn-out sung phrases; bass continues beneath decaying guitar feedback] all my time all my time so, so sublime if this is nothing let it be mine [End]